WE GOT A NEW CAT (Or how I came to be known as Scarnose) By Del Freeman (A Ruby Begonia Offering) "Is it not enough that I have to suffer the degradation of being a misunderstood and unemployed journalist?" I complained. "Must I also be marked for life by the very animals I feed and care for?" "What are you telling me?" my husband asked solicitously as I nursed my profusely bleeding nose. "Did the kitty just come up in the middle of the night and say, "You're ugly," and go smack?" "That's pretty much how it happened, except the kitty didn't say anything or I'd have moved my nose," I answered. Call me demanding, but I don't think your pets should make you bleed. I have a lot of these expectations which have been systematically destroyed over the years. Once, when I was a reporter, I expected a Pulitzer. The local too-cute married-on-the-air news team would have a child, I imagined, which would arrive unexpectedly in a rapid birth as they cut the ribbon at the new drive-in Bagel-'N-Brew, and I'd be there, notepad in hand. I could see the headline over my byline: "Muffy Has a Boy - Handsome Hubby Bites Through Cord With Teeth." Another great expectation down the tubes. My choice of a journalism career has pretty much insured the demise of one great expectation after another. Serving the informational needs of the public can be a thankless field in which one can experience the poverty of a barely working wage and be regularly abused. That's like double coupons on grocery day for a closet Shi-ite such as I. I shall never forget my first feature interview with Alice and Irving Hollingbutton and their offspring, Bobby-Joe, Bubba-Lee and Sally. Alice called me when it appeared in print to say Bobby-Joe was not their child at all, but that of Eunice and Hollis-Wade Hollingbutton. (Why she felt no compulsion to mention this during the interview, I'll never know, but it left me with a distrust of all future subjects, and a propensity to ask at the most inopportune moments, "Tell me, which one of these children isn't yours?") Public relations, on the other hand, is financially rewarding. My P.R. counterparts all drive new Miata convertibles. I drive a 1979 Toyota with rusted doors and a window that won't roll up. And I'd switch to P.R. in a heartbeat, but no one has offered me a new car. No one has even offered me a newer old car. Besides, I'm not at all persuaded that journalism experience qualifies one for P.R. work. Public relations is the flip flip side of the coin. Modesty prevents my pronouncement that I am more than a moderately good reporter, (except for that Hollingbutton thing), but I have no doubt that I simply do not have the ability to produce 45 pages of documentation that says nothing. That is not to imply that I don't frequently produce a collection of writing that is of no particular interest to anyone. The two are not at all the same thing. P.R. writing involves the ability to say nothing at great length and make it seem like you have said something. Even if I could do that, I can't speak the language. What is community interaction, anyway? Does waiting for the bus count? Economic development? It sounds like somebody printing greenbacks in the basement and it turns out to be spending money, preferably not your own. And did you ever read an annual report that said, "We lost our shirts last year?" Most probably you read about acquisitions and investments that have a long-term repayment ratio, i.e. they lost their shirts last year. P.R. speak is even more difficult than P.R. writing. Next time somebody calls you up and says, "I hear your wife is getting it on with the mailman," let's see you come up with a response like, "A restructuring of management has resulted in a far more responsive team conceptualization and is expected to have tremendous economic impact in the third quarter." (Translation: "I have left the unfaithful harlot and she'll be a very old, stooped, gray-haired figure before she'll get a penny out of my I.R.A."). Public relations work requires that you cease the delightful pursuit of popping balloons, and concentrate on inflating them, placing them strategically in positions of maximum exposure, and persuading mankind that they are modern marvels resulting from many intense hours of handmade design and attention to detail. (Translation: "I blew them up myself.") No Sirree! Give me the massochistic degradation of blue- penciled copy from a maladjusted, border-line psychotically vicious editor any day. Why, my creative hackles rise at the thought of a juicy expose like, "Television Personalities Muffy and Boy Wonder Patronized Sperm Bank." I can hear the demented editor screaming a last-minute demand across the newsroom even now. "Hey, give me another graph on that warm-water birthing in the hot-tub, film at 11 thing. "Hey, you, Scarnose - get cracking." END Ruby's Pearls A. C. Aarbus Publishing Route 1, Box 444 Callahan, Florida 32011 (904) 845-7672