ÜÛß ÜÛßßßßßßßÜÜ ßÛÜ Ûß ÜÛÛÜÛßÛÛÛÛÜÜ ßÜ ßÛ ÞÝ ÞÛßßßßÛÛÛÛÛßßßßÞÝÞÝ Û ÛÜ Û Û ÜÛ Û ÞÝ ßßÛÛÛÝ ÞÛÛÛßß ÞÝ ßÜ ÞÞÛÛÜÜßÛÛÝÝ Üß ÜÜÜßßßÜÜ ßÜßÛßÛßÛßÜß ÜÜÛÛÛÜÜÜ ÜÜÜÛÛßßß ÜÜ ÜÜ ßÜÜÜÜÜß ÜÛÛßÜÛÛÛÛÛÛÛÛÛÜÜÜ Ü ÜßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ßÛÛÜÜ ÜÜÜÜÛÛÛßÜÛÛÛÛßßÛÛÛÛÛÛÛÛÛÛÜ Ü ßÜ ßÜßÛÛÛßßß ÜßßÜ ßÛßßßßßßßßßßßßß ÛÛßßßÜÜ ßßÛÛÛÛÛß Üß ÜßÜÞÛ ÞÝß ÜÜßßß ß ßßßÜÜÜßÞÝ ÛÝÜßÜ ßÜß ÜÛß ßßßß ßÛßßÛ ßÛßßÛ ßÛßßÛ ßßß ßÛÜ ßÜß ß ÜßÜß Û Û ÛÜÜÛ Û Û ßÜßÜ ß ß ß Û Û Û Û Û Û ß ß ßßßßß ßßßß ßß ßß DBN Volume 2 Sept 1994 Editor: Nick Layman AKA Wharf-Rat Terrapin Station 914-344-2860 Fido 1:272/51 *******Dead Board News Is Not Affiliated With The Grateful Dead******* This Issue: INTRO: A word from Wharf Rat Dead Board Numbers Deadicated Sysop Spotlight PART I: Fall Tour 94 Dates Summer Tour 94 Setlist Childhood'S End New Tune By Phil PART II: In depth history of Jefferson Airplane Frank Zappa Disco Part III: Grateful Dead Hour Stations GDH Setlist 305,306,307,308.310 *********************************************************************** Word From Wharf-Rat: *********************************************************************** I will keep this short and sweet. This issue is jammed packed and Comes in two formats. The old plain TXT file DBN2.TXT & The new DBN1-2.EXE & DBN2-2.EXE. The EXE files have search, scan and print options in its shell. We have been busy here at Terrapin getting this issue together. We also are now setup to go multi-node next month. We have just completed a complete overhaul on the BBS. Enough about Terrapin! I would like to extend a Giant Thank You to the following. Dupree Diamond News. Thank you for the article you guys are the best. Dupree's is the best DeadHead publication available. To Subscribe: Dupree's Diamond News P.O. BOX 148 Purdy's New York 10578 914-232-6719 U.S. Subscription $14.00 Check Or Money Order Thanks to Brian Waite at Franklins Tower BBS 201-794-8473 Fido 1:2604/402. Brian your post's are awesome. Thank You! Thanks to Mike Kaufmann at Space Your face BBS 910-788-9844 Fido 1:3661/615. Mike without I would still be waiting in the Cyberspace Terminal. Thank You! Thanks to Joseph Brooks At Brokedown Palace BBS 619-596-1974 Fido 1:202/1312. Joseph thanks for the info for our Sysop Corner! Now that the Thanks are out of the way I feel much better. We didn't put in any Classified's this issue(None recieved). So if you would like your tape trading list added or any other classified listed get it to us before the December Issue. You DeadHead Sysyop's or Users want help with DBN it would be greatly apprieciated. Just get whatever you want included before the december Issue. You may do anything you want with this copy of DBN. Print, Distribute and copy all or part. There are no rules! Now on to the Show..........Nick Layman/Wharf-Rat ************************************************************************************ Dead Boards ************************************************************************************ The following is a list of Deadicated Boards: Terrapin Station(NY) 914-344-2860 Fido 1:272/51 Nick Layman Editor DBN Space Your Face(NC) 910-788-6564 Fido 1:3661/615 Mike Kaufmaunn Franklins Tower (NJ) 201-794-8437 Fido 1:2604/402 Brian Waite Brokedown Palace (CA) 619-596-1974 Fido 1:202/1312 Joseph Brooks Box Of Rain 305-823-8757(FL) Chris Staufer Franklins Tower (AZ) 602-750-1760 Fido 1:300/602 Paul Davidson China Cat (MD) 301-604-5976 David Ristau Confusion Central (TX) 713-367-7397 Fido 1:106/157 Steve Mcdonald Conservatory (TX) 214-941-2507 Fido 1:124/9017 James Mcgill If you would like your board added in the next issue, get the info to Terrapin Station! **************************************************************************************** Deadicated Sysop Corner: Here we will feature a Deadicated Board and it's Guru each issue. This issue is Joseph Brooks at Brokedown palace.(Can we call you Joe?) ******************************************************************************* Brokedown Palace ******************************************************************************* I've been into the Dead since about 1980. I would've been into it as early as 1974 but at that time I was into pre-metal, bands like Alice Cooper, Deep Purple and Black Sabbath. The Grateful Dead was just too mellow for me in my ten years. Little did I know! I remember a friend forcing me to listen to one of their LP's and thinking, this music's ok but where's the punch? If I'd been dragged to a show before 1980, its a sure bet I would've been hooked much earlier. In 1980 or so, a friend of mine called & said he had an extra ticket for the Dead who were playing at Devore Stadium in Chula Vista, Ca. I said, "what the hell, its free..." That was my bus, I got on and the rest is history... I started going to every show I could, mostly west coast shows, I was and am a working family man and never got to go on tour... Though I've always wanted to. Around 1988, I discovered computers and soon after, modems. I remember begging the sysop of my favorite board to PLEASE get the Deadhead echo.. After a while, I started my own BBS. I called it Amiga Street and it was mostly just a place to hang out for Amiga enthusiasts. When I started I had an Amiga 500, a 52 meg HD and a 1200 baud modem. (Yes, I said 1200, remember those?) I was addicted. I'm now up to an Amiga 2000 with a 68030, 330 MB worth of HD space (filled up fast, more on the way!) and a 16,800 Dual Standard U.S. Robotics Modem. I'm also broke... A few months ago, I decided to 'Deadify' the board. I changed the name to Brokdown Palace. We now have over 80 Grateful Dead related files, gifs and stuff, plus lots of other fun goodies. We carry the Fidonet Deadhead echo (of course) and also rec.music.gdead (Usenet). Those who have freq. access on fidonet can freq my GD file list, Magic file name: FILES will get my full file list in LHA format. You can reach BP the following ways: Fidonet: 1:202/1312.0 Internet: jbrooks@astreet.cts.com BBS: 619-596-1974 Or Write: Brokedown Palace c/o Joseph Brooks 8714 Wahl St. Santee, Ca. 92071 ********************************************************************************** DBN Volume 2 Sept 94 Part I Fall Tour Dates Summer Setlists New Song By Phil Childhood's End Terrapin Station 914-344-2860 Fido 1:272/51 Fall Tour 94 ***************************************************************************** West Coast Hotline: (415) 457-6388\_ Go to the same touch-tone Mail Order Hotline: (415) 457-8457/ system now. East Coast Hotline: (201) 744-7700 **************** CONFIRMED DATES: **************** Sept. 16,17,18 Shoreline Amphitheater BASS on sale now Mountain View, CA - 7,7,5 PM Sept. 27,28,29 Boston Garden (Series I) Mail Order started Aug. 8 Boston, MA - 7:30 PM $32.50, Box C-S 8190 Oct. 1,2,3 Boston Garden (Series II) Mail Order started Aug. 8 Boston, MA - 7:30 PM $32.50, Box C-S 8190 Oct. 5,6,7 The Spectrum Mail Order started Aug. 8 Philadelphia, PA - 7:30 PM $32.50, Box C-S 8190 Oct. 9,10,11 USAir Arena Mail Order started Aug. 8 Landover, MD - 7:30 PM $32.50, Box C-S 8190 (Oct. 9th is Rex Foundation Benefit - $37.50 mail order price) Oct. 13,14,15 Madison Square Garden (Series I) Mail Order started Aug. 10 New York City, NY $32.50, Box C-S 8190 Oct. 17,18,19 Madison Square Garden (Series II) Mail Order started Aug. 10 New York City, NY $32.50, Box C-S 8190 All fall tour are 4 tickets per show maximum. Boston Garden and MSG different series must be ordered separately. Ticketmaster dates are TBA. Jerry Garcia Band: #Sept. 1,2 The Warfield Theater, San Francisco BASS on sale now #Sept. 10 Reno Hilton Amphitheatre On sale now # Reno, Nevada - 7:00 PM *************** RUMOURED DATES: *************** Nov. 29,30 McNichols Arena, Denver, CO Dec. 1 Dec. 8-11 San Diego Sports Arena, San Diego, CA Dec. Los Angeles Dec. Oakland Coliseum Arena, Oakland. CA '95 Europe - rumoured, but unlikely '95 Southpark Meadows, Austin, TX Jerry Garcia: Oct. 31 JGB - San Diego Sports Arena Jan. '95 S.F. War Memorial Opera House, Jerry Garcia with the Redwood Symphony Orchestra ***************************************************************** Summer Tour Setlists ***************************************************************** Cal Expo Sacramento,CA Wednesday 6/8/94 Mississippi Half-Step, Walkin Blues, Peggy'O, Me And My Uncle-> Big River, Stagger Lee, Cassidy, Don't Ease Me In Picasso Moon, Big Railroad Blues, Playing In The Band-> Uncle John's Band-> Drums-> Space-> Samba In The Rain*-> All Along The Watchtower-> Standing On The Moon-> Lovelight Encore:I Fought The Law *(first Samba In The Rain)* Samba In The Rain is by Welnick-Hunter ====================================== Cal Expo, Sacramento CA Thursday June 9, 1994 Jack Straw, Friend Of The Devil, Wang Dang Doodle, Ramble On Rose, If The Shoe Fits, Deal China -> Rider, Estimated -> He's Gone -> Drums -> Space -> The Last Time -> Stella Blue -> Throwing Stones -> Not Fade Away Encore:Box Of Rain ====================================== Cal Expo, Sacramento CA Friday June 10, 1994 Here Comes Sunshine, Same Thing, Lazy River Road, El Paso*, Loser, Easy Answers -> Don't Ease Me In Sugar Magnolia -> Touch Of Grey -> Looks Like Rain, Way To Go Home -> Drums -> Space -> Other One -> Wharf Rat -> Around And Around -> Sunshine Daydream Brokedown Palace * Weir on acoustic guitar ====================================== Seattle Memorial Stadium, Seattle WA Monday June 13, 1994 Hell In a Bucket, Row Jimmy Row, Minglewood Blues, Tennessee Jed, Queen Jane, Bird Song, Promised Land Scarlet Begonias -> Fire on the Mountain, Corinna -> Terrapin -> Drums -> Space -> I Need a Miracle -> Morning Dew US Blues ===================================== Tuesday June 14, 1994 Seattle Memorial Stadium Seattle WA Shakedown Street, Little Red Rooster, Loose Lucy, When I Paint My Masterpiece*, Althea, Eternity Victim or the Crime -> Lazy River Road, Samba in the Rain, Truckin' -> That Would Be Something -> Drums -> Space -> Way To Go Home, Standing on the Moon -> Sugar Magnolia Liberty *Weir on acoustic guitar ===================================== Friday 6/17/94 Autzen Stadium, Eugene OR Bertha, Greatest Story Ever Told, Lazy River Road, Wang Dang Doodle, Ramble on Rose, Black Throated Wind, Tom Thumb's Blues, Deal Rain, Eyes of the World -> Samba in the Rain, Saint of Circumstance -> Drums -> Space -> The Wheel -> Attics of My Life -> Thowing Stones -> Not Fade Away US Blues ===================================== Saturday, June 18, 1994 - Autzen Stadium, Eugene OR Jack Straw, Sugaree, It's All Over Now, Tennessee Jed, Me and My Uncle -> Maggie's Farm, Candyman, Easy Answers China Cat Sunflower -> I Know You Rider, Man Smart, Woman Smarter -> Crazy Fingers -> Corrina -> Drums -> Space -> The Last Time, Days Between -> One More Saturday Night I Fought the Law *Weir on acoustic guitar *(Cracker opened)* ===================================== Sunday, June 19, 1994 - Autzen Stadium, Eugene OR Touch of Grey, Walkin' Blues, Brown-Eyed Women, El Paso*-> Bird Song tease-> If The Shoe Fits-> Bird Song Scarlet Begonias-> Fire on the Mountain, Samson and Delilah, Way to Go Home, Playing in the Band-> Uncle John's Band-> Playing in the Band jam-> Uncle John's Band reprise-> percussion-> jam-> The Other One-> Wharf Rat-> Good Lovin' Knockin' on Heaven's Door * Weir on acoustioc guitar *(Cracker opened)* ===================================== Friday June 24,1994 Sam Boyd Silver Bowl, Las Vegas NV Let the Good Times Roll, Feel Like a Stranger, Althea, The Same Thing, Broken Arrow, Cumberland Blues, Eternity, Don't Ease Me In Aiko Aiko, Samba in the Rain, Estimated Prophet -> He's Gone-> Drums -> Space -> Goin Down The Road Feelin Bad -> I Need a Miracle -> Standing on the Moon Johnny B. Goode ===================================== Saturday June 25, 1994, Sam Boyd Silver Bowl, Las Vegas NV Missippi Half Step, Little Red Rooster, Lazy River Road, Masterpiece*, Loose Lucy, Cassidy If the Shoe Fits, Way To Go Home, Easy Answers -> Uncle John's Band -> Corinna -> Drums -> Space -> The Last Time -> Stella Blue -> One More Saturday Night Liberty *Weir on acoustic guitar *(Traffic opened)* ===================================== Sunday June 26, 1994, Sam Boyd Silver Bowl, Las Vegas NV Hell In A Bucket, Peggy-O, Minglewood Blues, Ramble On Rose, El Paso, So Many Roads, Just Like Tom Thumb Blues, The Music Never Stopped Victim Or The Crime -> Eyes of the World -> Box of Rain, Saint of Circumstance -> Terrapin -> Drums -> Space -> Wheel -> Watchtower -> Morning Dew U.S. Blues *(Traffic opened)* ===================================== Friday July 1, 1994 Shoreline Amphitheatre, Mt. View CA Cold Rain & Snow, Wang Dang Doodle, Dire Wolf, Queen Jane, Stagger Lee, Black Throated Wind, Bertha, Picasso Moon, Don't Ease Me In Foolish Heart -> I Want To Tell You, Man Smart, Woman Smarter -> Ship of Fools, Samba In The Rain, Playin -> Drums -> Space -> Last Time -> Attics Of My Life -> Sugar Magnolia *(first I Want To Tell You) ====================================== Saturday, July 2, 1994 - Shoreline Amphitheater, Mountain View CA The Music Never Stopped -> Sugaree -> The Music Never Stopped, Friend Of The Devil, Desolation Row*, Tennessee Jed, Eternity Help On The Way -> Slipknot! -> Franklin's Tower, If The Shoe Fits Truckin -> Smokestack Lightning -> He's Gone -> Drums -> Space -> Stella Blue -> Throwin Stones -> One More Saturday Night * Weir on acoustic guitar ====================================== Sunday July 3, 1994 - Shoreline Amphitheater, Mountain View CA Here Comes Sunshine, It's All Over Now, Althea, Masterpiece*, Bird Song Promised Land Samson & Delilah -> Eyes Of The World -> Fire On The Mountain -> Box Of Rain, Terrapin -> Drums -> Space -> Corinna -> Days Between Good Lovin E: Liberty *Weir on acoustic ====================================== Wednesday July 13, 1994, Franklin County Airport, Highgate VT Let The Good Times Roll, Jack Straw, Althea, Queen Jane, Loser, Its All Over Now, Tennessee Jed, Let It Grow Truckin -> New Speedway Boogie, Way To Go Home, Corrina -> Uncle John's Band -> Drums -> Space -> I Want To Tell You -> I Need A Miracle -> Standing On The Moon -> Sugar Magnolia Encore: U.S. Blues *(soundcheck included Childhood's End)* *(Youssou N'Dour opened)* ===================================== Saturday July 16. 1994, RFK Stadium, Washington D.C. Cold Rain And Snow, Picasso Moon, Lazy River Road, El Paso, If The Shoe Fits, Ramble On Rose, When I Paint My Masterpiece, Loose Lucy, Promised Land China Cat Sunflower -> I Know You Rider, Samba In The Rain, Estimated Prophet -> Crazy Fingers -> Drums -> Space -> The Last Time -> Stella Blue -> One More Saturday Night E:Liberty *(Traffic opened)* ====================================== Sunday, July 17, 1994 - RFK Stadium, Washington D.C. Hell In A Bucket, Bertha, Wang Dang Doodle, So Many Roads, Tom Thumb's Blues, Black Throated Wind, Don't Ease Me In Victim Or The Crime -> Eyes Of The World, Samson And Delilah, He's Gone -> Drums -> Space -> Way To Go Home -> Standing On The Moon -> Lovelight E: Brokedown Palace *(Traffic opened)* ===================================== Tuesday July 19, 1994 Deer Creek Amphitheater, Noblesville IN Shakedown Street, Walkin Blues, Jack-A-Roe, Big River* -> Maggies Farm*, Big River, Broken Arrow, Tennessee Jed, Easy Answers Foolish Heart -> St. Of Circumstance -> I Want To Tell You -> Playin -> Drums -> Space -> Wharf Rat -> Throwin Stones -> Not Fade Away E: Rain *with Weir on acoustic guitar ===================================== Deer Creek Amphitheater, Noblesville IN Shakedown Street, Walkin Blues, Jack-A-Roe, Big River* -> Maggies Farm*, Broken Arrow, Tennessee Jed, Easy Answers Foolish Heart -> St. Of Circumstance -> I Want To Tell You -> Playin -> Drums -> Space -> Wharf Rat -> Throwin Stones -> Not Fade Away E: Rain ********************************************************************* New From The Phil Zone ********************************************************************* CHILDHOOD'S END When I was hoppin' freights and makin' payments on the farm Here between the angels and the deep blue sea You were runnin', laughin', growin' sheltered from the storm Dreamin' of the day the moon would set you free Yeah, to sing your siren song so sweet and warm River run deep River run slow Get a little restless Wanna see some whales blow River run cold River run clear That feeling always gets to me 'Round about this time of year Scoutin' unknown borders under multi-colored moons In the wildest flights of cosmic mystery Rang a single soarin' tone that strung the sky in tune As the silence in my heart rose from the sea Aaah, to greet you in the dawn with a pale harpoon River run restless River run high Runnin thru a hailstorm Try to catch a star on the fly River run muddy River flow like tears Cocoon of life surroundin' us Holdin all our hopes and fears Reach behind the wind Search beyond the stars We're the life on Mars When the day grows dark and scary scatterin' the light All the colors run away and hide behind your knees The same sweet thunder tumbles rollin' down the night Like a mothership that calls for you and me Come on, and drift along that sky river bright River run swiftly River run wide Feel like sailin On the morning tide River run golden River run true Set a course and follow Ooooh, the star that leads to you ********************************************************** Dead Board News Volume 2. Sept 94 Part II Airplane History/Zappa Disco Terrapin Station 914-344-2860 Fido 1:272/51 =========================================================================== Jefferson Airplane --------------------------------------------------------------------------- "We were very much a product of our times." That's one way Paul Kantner explains the Jefferson Airplane, the group that he and Marty Balin forged together two long, strange decades ago. Well, yes, they were. And all of us who were alive - really alive - back then, were creatures in arms. But somehow, the Airplane were more monsters than creatures. They scared authorities and made things happen. They pushed boundaries and helped define the times. The times, of course, were the most cataclysmic decade in the history of this country, a decade that got going around 1965 and ended anywhere from 1969 (Altamont) to 1974 (Watergate). The sixties was a decade of which it can truly be said: You had to be there." Try and conjure up that decade, and all you come up with is a laundry list of cliches, having to do with tie-dyes, Gods' eyes, Day-Glo and posters and light shows; patchouli and incense, with the language of those days, those incredible, far-out, psychedelic, flower-powered days. The times saw the escalation of civil rights activists' war on segregation, and of the United States' war on North Vietnam. In music, folk singers, Bob Dylan chief among them, led musical protests. On the flip side, there were the carefree Beatles, who, in the fall of 1965, were about to get high for the first time, courtesy of some marijuana provided by one Bob Dylan. Around the time of that momentous pot party in New York, a band was making its public debut in San Francisco: Jefferson Airplane, named after a mythical blues artist ("Blind Thomas Jefferson Airplane") and influenced by the Beatles, Bob Dylan, and marijuana. As such, the Airplane were no different from many of the people around them, especially a growing community of students, dropouts, artists, pacifists, post-Beat bohemians and other adventurists who lived or hung out in a low-rent, Victorian-housed neighborhood called the Haight-Ashbury. But the Airplane, by dint of their music, by their approach to the business of music, and by the relationship they nurtured within the community, became the musical symbol of the Haight-Ashbury movement, its ambassadors to the outside world. They were by no means the weirdest, the funkiest, or, who knows, the hippest. But they had two crucial things going: a willingness, if not eagerness, to balance art with business, and the stuff it took to cross over toward, if not into, the mainstream. And so it was that the Airplane not only scored the first hit records out of San Francisco, but helped change the way musicians related to the industry. Which is to say they refused to be slaves or puppets. In 1966, they scored a contract with an unprecedented advance of $25,000. (Other bands thought they were doing well getting $5000 for signing with a label.) With success, they demanded artistic freedom and stretched musical boundaries, tapping into root music: folk, jazz, blues, and beyond. At the top, despite all their human weaknesses, they refused to set up barriers between themselves and their audiences. Yes, they bought a 17-room mansion on a border of Golden Gate Park - the address: 2400 Fulton Street - for what they thought was an outrageously high price: $70,000. There, they lived, rehearsed, and partied. But they were constantly in the streets, playing free concerts and street parties. "It was a very encouraging scene," says Paul, emphasizing that word. "The bands encouraged one another; at radio stations we'd take tapes of the Dead, Quicksilver, or whoever we'd meet. There was a sense of 'We're all in this together.'" No one who knew the Airplane, then, was surprised when the band showed up at the Gathering of the Tribes, better remembered as the San Francisco Human Be-In in Golden Gate Park on January 14, 1967. Or when they sang "Let's Get Together." The Haight became history quickly; pushed by commercialism, media attention, and drugs, it was swamped by the rush of young seekers who came for the "Summer of Love" in 1967, and it died a fast, painful death. The Airplane went through much of what the Haight endured. It had a tough time handling the weight of success; it, too, succumbed to the temptations of drugs and free love, and their attendant zigs and zags; it, too, became a fragmented, volatile, many-headed monster, some passionate, some passive. For many surrealistic moments, it was beautiful, a time to behold and hold on to. But it was also destined to fall apart. After nearly two decades of changes, the Airplane became the Starship, with Grace Slick the sole surviving link. Paul Kantner, Marty Balin and Jack Casady have a new band, KBC. Jorma Kaukonen is back where he began - a solo act, happily gigging at small blues clubs. And Spencer Dryden, drummer through the prime times, is a member of a band with a typically self-deprecating (and accurate) name: The Dinosaurs. To talk with Marty, Paul, and Grace is to confront the many-headed monster once more. Memories are vague or conflicting. Grace doesn't care to wax nostalgic, anyway. "It's hanging on to something that doesn't exist. It's looking at ghosts." Paul looks back, with affection, at the things the Airplane accomplished musically, reflecting each band member as well as the times. Marty looks back with sourness at how short a time the Airplane really flew. Listening to them talk takes me back to the Fillmore, where, between songs, the band noodled endlessly, trying to get in tune for the next number. It took a while, but when they got into sync, they soared like few other, and took us to places we'd never been, and would never see again. Beginnings Before Grace, it was Marty Balin's band. In fact, it was the Airplane, performing at Marty's nightclub, The Matrix, that inspired Grace to sing rock and roll. It's No Secret was the Airplane's signature song and, in 1966, it was their first single, but Balin didn't write it for his own band. "I wrote it for Otis Redding," he says. "We worked on the same bill a couple of times at the Fillmore." Grace: "Marty's a lover/loner kind of guy. At one point he wanted to be Otis Redding." Come Up The Years, another showcase for Balin's soaring tenor, was co-written by Marty and Paul. Paul: "It was an idealization of that whole element of beautiful young (and underage) girls who were very bright, who left their families and were on their own." Marty: "It was based on this one girl who looked like 35 but was 12 or something. I met her mother and father and had dinner with them once 'cause she was so infatuated with me; I wrote the song about her." My Best Friend, the first single from Surrealistic Pillow, is by Skip Spence, a guitarist who, legend has it, Balin found at an audition for the band that would become Quicksilver Messenger Service. Marty recruited him to be the Airplane's drummer because, he told Skip, "You look like you should be a drummer." Skip didn't argue, but when he joined Moby Grape after leaving the Airplane in fall of 1966, he was a guitarist again. By the time the Airplane were ready to record "Surrealistic Pillow," they had a new singer. Signe Toly Anderson, who worked primarily as a harmony backup to Marty, left to have a baby. In stepped Grace Slick, who was a lead singer for Great Society. Besides giving the Airplane a galvanizing new force, she brought a couple of songs. Somebody to Love, the biggest of the Airplane's two hit singles (it reached number 5), was written by Darby Slick, her brother in law and a fellow member of Great Society. Darby: "I'd broken up with a girl around then. And one night I took some LSD..." Grace wrote White Rabbit around the same time, he says. "And we knew, instantly, that these songs were hits." Comin' Back To Me, a thoughtful soliloquy by Marty, was one of his fastest efforts, written in his Los Angeles motel room one evening during the two-week sessions for Surrealistic Pillow. "I'd smoked this really strong joint, and I wrote it. Then I went back to the studio - 'cause we used to stay up all night - and the engineer, Grace, Jack (bassist Jack Casady), and Garcia (Jerry Garcia, all-around handyman on the album), were still there, so I said, 'I'd like to record this, please.'" Manager Bill Thompson: "They rehearsed it a couple of times: Jerry played guitar; Grace played recorder. They did one take, and Marty said 'I like it. It's a love song and it's rough. That's the way I want to convey it.'" Embryonic Journey is an instrumental solo by Jorma Kaukonen, a piece he performed when he worked folk clubs in Palo Alto and San Jose. "I was a Bay Area folk figure," says Jorma, who sometimes played with Janis Joplin, and other times with Steve Talbot, a blues singer who originally came up the "Blind Thomas Jefferson Airplane" as a joke on blues names. She Has Funny Cars is credited to Jorma and Marty. Grace recalls adding a line or two. The song, she says, is a good example of the early Airplane's method of writing. "We didn't sit down together to write. If you were around, and somebody made a comment, you'd write it down and have it for a year, and then you say it fits in with something you're writing. It was us honestly stealing from each other." Paul: "We'd come in with pieces and run at each other and see what meshed." On Surrealistic Pillow, deeply-felt love songs meshed with acid dreams, offbeat tunes with multiple layers of meanings, and the first instrumental adventures by Jorma and Jack. "Pillow" was a landmark, the Airplane's Rubber Soul. The songs Grace brought in were hits, and helped keep the album on the charts for more than a year, peaking at number 3. But almost more than the music, it was the very idea of the Airplane that struck a million nerves. In their rush to help create the Summer of Love, writers for magazines like Time and Look suddenly became Keseys and Wolfes, and they could not get enough of Grace - or "Gracie...a turned-on girl," as Look called her in a trippy essay. The more cautious Life magazine came calling a year later - in 1968 - with a cover story about the Airplane, and the "vibrating world" of "The New Rock." Psychedelia The Airplane, as the Rolling Stone Illustrated History of Rock and Roll has stated, "were of, by, and for the acid community." As such, it might be said that all of their music was informed by their adventures in chemicallly-charged wonderlands. Almost any song they did, the, could have fit under that most elastic category, "Psychedelia." And it's poetically just that the first song, Plastic Fantastic Lover, really doesn't. Marty: "It's just about a TV set. I was sitting one night watching television; I had no girl friend or anything, and I wrote this song to this TV set. True story!" Yeah, but what a bringdown... Which can't be said for Wild Tyme by Paul. Pointing out the line, "I'm doing things that haven't got a name yet," he explains, "That referred to all the new designer drugs that were coming out, as well as the whole renaissance of experiences that was going on, exploding out of the restrictions of the fifties. There was the breaking away from parents; the sexual revolution; drugs became okay. Everything became OK, worldwide." After Bathing at Baxter's was a chaotic time for the band; they were set up in a Hollywood house previously rented to the Beatles; stars because of the success of Surrealistic Pillow, they found themselves flying out for concerts and TV dates, all on top of their recording schedule. That schedule became a shambles. Where "Pillow" took 13 days to record, "Baxter's" would take 7 months. On the road and at the house, Marty found himself unable to work - all the band members had their own entourages, he recalls, and he couldn't get through to them. Bill Thompson: "It was absolutely crazy. Nude swimming going on all the time; Jorma firing his gun in the pool; kids sneaking through the doors looking for the Beatles..." "Pure LSD, among 13 other things," Paul says about that album. But whatever those things were, Paul managed to write most of the songs, including The Ballad of You & Me & Pooneil, a combined paean to childhood (Winnie the Pooh) and an ode to a folk-music hero, Fred Neil. A Small Package of Value must have been another of those things. "It was improvisational," says bill Thompson, and that says it all. One of the two songs that paid for the Airplane license was White Rabbit, which followed Somebody to Love by two months into the top 10 in 1967. It started simply enough. Long before Bo Derek, Grace heard Ravel's "Bolero" two ways: musically and sexually. "I've always like the way it works, as an exercise for an orchestra. And people turn it on for sex because that's the way things ought to work. You don't come slamming in at somebody. You start and build up to the crescendo." As for the infamous words, so often interpreted as a commercial for drugs: "The lyrics come from having read what they call the great children's books. All of them talk about how your life will be spectacular given some kind of chemical. Peter Pan - you sprinkle dust on your head, you can fly. Oz: you fall into a field of poppies and all of a sudden there's Oz. Alice had five or six kinds of drugs that took her places. "Adults were ragging at us for taking drugs. What I wrote the song for was to say, 'Why did you read me this stuff? Look at what this stuff says!'" But how did she think to combine the Alice imagery with Ravel? "What I did was take acid and listen to Miles Davis' Sketches in Spain for about 24 hours straight." And a hit was born. While the Summer of Love was going on, the Airplane were shuttling between the road and their Hollywood house, supposedly getting "Baxter's" together. Needing a song, Paul thought back to the Human Be-In and came up with what he calls "just a celebration of the renaissance, as it were." It was the almost journalistic Won't You Try Saturday Afternoon. In fact, says Paul, some of the words came from an article about the Be-In by the late Ralph J. Gleason, who championed the scene through his jazz and pop column in the San Francisco Chronicle. For a time in the late sixties - nobody remembers exactly when - the entire band took up residence at the Airplane House at 2400 Fulton Street. The only couple among them was Grace and Spencer Dryden, a jazzer who'd stepped in as drummer in time for Surrealistic Pillow. For the band's fourth album, Crown of Creation, Grace wrote Lather to make fun of Spencer. "Lather was 30 years old today; they took away all his toys..." "At the time," Grace explains, "it was the old 'You can't trust anybody over 30.' Everybody's dead at 30, and Spencer was turning 30. The situation amused me." Revolution By the Crown of Creation album, says Paul, the music was "starting to swing into darker directions." It almost had to. The year began with the Beatles, as usual, on top of the charts, singing Hello Goodbye from Magical Mystery Tour. But 1968 was nothing less than a hard year's night. It was a year of battle lines being drawn. Perhaps a quick dirty laundry list will do: The Viet Cong's Tet Offensive; Student draft deferments abolished; by spring, 10,000 U.S. dead in Vietnam; "Hell no, we won't go"; Columbia students' strike; Martin Luther King murdered; George Wallace for President; Bobby Kennedy for President; RFK assassinated; Nixon for President; Humphrey for President; Yippies; bloodshed in Chicago. Nixon wins. The Airplane continued to extoll love and psychedelics, but the sound began to toughen. As Grace Slick commanded an increasingly greater share of both media attention and the spotlight on stage, her duets with Marty became high-pitched battles. We Can Be Together was their first anthem for the social revolution. Now the Airplane - and all of us who flew with them - were "outlaws in the eyes of America." It was, says Paul, "a love song for a movement of people towards brightness." Revolution or no revolution, Paul was writing a song, and he remembers being musically stuck. "I was looking for something to resolve the chorus, and Crosby (his old pal from the folkie days, David Crosby) came up with this banjo lick. It was an old fiddle lick and none us knew where it came from. But it resolved We Can Be Together and we wrote the whole other with that lick alone." The other song was Volunteers, which is credited to Marty, and about which the composer has a story of his own. "We were all living in the mansion at the time. One morning, somebody was banging the garbage cans outside of my window. I looked out and it said on the truck, VOLUNTEERS OF AMERICA. I leaned over and wrote 'Hey, what's happening on the street, da-da-da...' I gave it to Paul, he put some music to it (apparently adding the phrase "Gotta revolution," along the way), and it became kind of an anthemic thing for us. I say it's about a truck picking up some garbage and people don't believe me. I had no idea about writing about any revolution or anything." But Paul did. Crown of Creation, for example, was written to the hated Establishment. "They were saying that they were the crown of creation, and we were pointing out that 'You're not necessarily the crown of creation.'" By then, Paul had begun mixing his lifelong fascination with science fiction into his music. He got a chance to use some long dormant lyrics in Wooden Ships. "Crosby had written this beautiful music and didn't know what to do with it. I took it and we played with it; Casady would put lines in it, and it went on for a year and a half." One day, after going sailing with David, "Wooden ships on the water" came to Paul. "Just an ideal escape movie. The survivors go off to a wonderful life forever, Amen." So why is Stephen Stills included in the credits? "He added the one dour verse, 'We'll watch you die...' We stuck it in there. And David wrote the intro about the purple berries." To which Grace can only smile a grownup, clearly-over-30 smile. That song, she says, is a fair representation of one facet of the Airplane. "The idea is so naive: We'll have some berries and share them. It's cute. It represents a bunch of kids looking to be characters in a children's book," just as Paul did with Pooneil, and as she did with Alice in wonderland. "We were all out there, wanting to be children." "Nothing wrong with that," says Paul. "I still believe in that. Much of my writing is still borne of looking for some quality that's childlike, utopian. That's what characterizes mankind in its best moments." Rejoyce is nothing but grownup, an exercise in literature and jazz, with Grace paraphrasing lines from James Joyce's 1922 novel "Ulysses." Writers just knock me out," she says. "What you try to do when you read is to see the similarities in your own life, in the culture. Since I was always older than everybody, I take the teacher's role, to take these things and make them interesting." In contrast, Grace wrote Mexico after reading newspaper accounts in early 1970 of the Nixon administration's Operation Intercept, a campaign to stem the flow of marijuana from south of the border. Grace considers more recent governmental battles against drugs. "It's still the same," she says. "We don't have funding for the one-third of the people who are illiterate in the country, but we have funding for nuclear stuff. They spend too much time on things that are really stupid and unimportant." The drug scare of 1970 came in the aftermath of the summer of rock festivals, a summer that included the three days in Bethel, New York, that gave us the Woodstock Nation. There, the Airplane performed Marty's garbage-truck song, among others, but few of the band remember what they did. "We were on at 7 a.m.," says Paul. "Our slot was supposed to be 9 p.m. the night before, but it was typical hippie organization. Time wasn't of consequence." On stage, Paul didn't have a clue about how the Airplane sounded. "Half the crew was asleep or naked in the pond, and I remember the film cameras were pointed in the sky half the time." Paul himself was up there half the time; he'd been dosed with LSD shortly after arriving in the sixties version of the Twilight Zone. Airplane Parts In 1970, Spencer left to be replace by Joey Covington. By then, Grace was living with Paul, and when she became pregnant, the band stopped touring. A long-disenchanted Marty Balin left in 1971. By then, Jorma and Jack had formed a side band, Hot Tuna (which they'd tried naming Hot Shit). The end was near. The first post-Marty album, Bark, included Pretty As You Feel, a jam that originally lasted almost half an hour and involved Jorma, Jack, Joey, and visitor Carlos Santana. After it was edited, Joey added lyrics. The result: the Airplane's fourth-highest ranking single. Martha takes us back to "Baxter's," and to memories of one of those free and beautiful young girls Paul used to know. with an obvious sweet relish for the chance to recall some of the abandon of youth, he describes the inspiration for the song: "She was the daughter of the mayor of a nearby town, and she was hidden in the rock roll community from the FBI because she was underage and the daughter of a mayor. Martha moved quite freely amongst the society as a very young girl. She was bright; almost painfully bright for her own good." He allows himself a moment of nostalgia. "Martha," he says, "stimulated several songs." Today, which has Marty at his most achingly romantic, was originally two songs, says Paul. "The first part was from a song Marty wrote. The I finished up with a song I'd written. The Marty wrote the lyrics." Marty: "When I recorded it, I was thinking, in the back of my mind, of Tony Bennett at age 12 as a choir boy singing this song. That's how I sang it." He adds: "Heavy drugs in those days made you think of a lot of things." Triad, by David Crosby, is the infamous ode to a menage a trois that got him in trouble with the Byrds. "It happened I was part of a triangle, and there was one that worked out long and really righteously," he once told me. but his band, he said, "was very uptight about that song." Paul, who found the song "quite moving," gave it to Grace. Without blinking, she recorded it for the Crown of Creation album. Third Week in the Chelsea, by Jorma, signaled the end of his line with the Airplane. "We were at the Chelsea Hotel," Bill Thompson remembers. "It was a bad time, nobody was working together; nobody was playing together. It was kind of the end, even if it didn't really die." The last Airplane album was Long John Silver, in 1972. Marty, the founder, the original visionary and voice, had been gone for two albums. In his mind, the band was over long before - say, around the time their records began to turn to gold. He had been the leader. "Once it clicked, everyone was free and they were their own leaders and did whatever they wanted to do, and that democracy immediately destroyed it." In the beginning, he was the fiery young man with all the plans. "The - around 'Baxter's' time - I realized everybody was off their ass, and didn't give a shit about anybody or anything else. So I lost interest." Jorma and Jack left for good in the fall of 1972. Paul and Grace, with assorted musician friends, carried on with solo and joint projects, and in 1974, introduced the Jefferson Starship, which, soon enough, included a familiar, soaring tenor: Marty Balin. Marty went, came and went again. Grace left in 1978 and returned three years later. Paul left in 1984. And these days, says Darby Slick, he's getting bigger checks than ever before for Somebody to Love. In September, 1985, the Airplane house was sold (for $650,000). A few days before the Starship staff moved out, I dropped by to 2400 Fulton Street one more time. With the pool table and the funky furniture gone, I could see, more clearly than ever, the mix of classic, turn-of-the-century Victoriana that was the house, and the crazed collage of colors and clippings that was the sixties. Upstairs, where most of the band used to live, was the bathroom with the chartreuse walls; there was Paul's octagonal room; in another room, the walls were still papered with photos of nude women, of Dylan and the Beatles, of protests. It was the laundry list as art. Downstairs, before opening the front door, I turned once more and spotted one more poster left behind. It was a blowup of the cover story I'd done in 1980 in Rolling Stone. There was Grace standing tall, surrounded by six men. including Paul and Marty. The headline read, STARSHIP WARS: The Band Plays On. So what happened here? What did the Airplane accomplish? They'd set out, like so many of us, to change the world. Grace considers that overly optimistic, once-a-great notion. "When you get older," she says, "you see that, unfortunately, it doesn't change that much. Maybe you make a small dent, but making a small dent in a giant doesn't really do anything. "We thought" - she corrects herself - "I thought - that, with an incredible amount of media blitzing and books and knowledge, you could change people. But you can't. The only person I can change is me. That's it." Well...maybe. I think Grace, as a person, and part of a band, and as part of the times, had an impact on those times, and those times still reverberate today. At the very least, the Airplane helped push out the boundaries of music. Just as they "honestly stole" from each other and from musicians before them, so did they teach listeners, then and now, that rock and roll can be music without rules, and that in rock and roll, for better or for worse, and for rich or for poorer, it is the artist who ultimately wears the crown of creation. Zappa Disco *Does Not Include Bootlegs* 04-06-93 Ahead Of Their Time 03:07 Prologue 04:45 Progress? 02:21 Like It Or Not 02:02 The Jimmy Carl Black Philosophy Lesson 02:00 Holding The Group Back 00:57 Holiday In Berlin 02:55 The Rejected Mexican Pope Leaves The Stage 04:35 Undaunted, The Band Plays On 03:17 Agency Man 01:52 Epilogue 08:14 King Kong 01:38 Help, I'm A Rock 03:07 Transylvania Boogie 06:51 Pound For A Brown 02:24 Sleeping In A Jar 01:51 Let's Make The Water Turn Black 00:54 Harry, You're A Beast 00:47 The Orange County Lumber Truck (Part I) 03:22 Oh No 10:40 The Orange County Lumber Truck (Part II) ------------------------------------------------------------------------------ 10-??-92 Playground Psychotics (A Typical Day On The Road) Disk 1 01:00 "Here Comes The Gear, Lads" 01:21 The Living Garbage Truck 01:19 A Typical Sound Check 00:24 "This Is Neat" 01:21 The Motel Lobby 00:55 Getting Stewed 00:30 The Motel Room 01:11 "Don't Take Me Down" 00:25 The Dressing Room 02:02 Learning "Penis Dimension" 00:25 "You There, With The Hard On!" 02:40 Zanti Serenade 01:46 Divan 01:30 Sleeping In A Jar 02:26 "Don't Eat There" 03:00 Brixton Still Life 01:40 Super Grease 04:52 Wunderful Wino 04:23 Sharleena 02:54 Cruisin' For Burgers 06:19 Diptheria Blues 04:43 Well 00:57 Say Please 02:59 Aaawk 05:54 Scum Bag 06:11 A Small Eternity With Yoko Ono Disk 2 01:39 Beer Shampoo 04:30 Champagne Lecture 01:31 Childish Perversions 01:08 Playground Psychotics 02:39 The Mudshark Interview 00:55 "There's No Lust In Jazz" 00:47 Botulism On The Hoof 00:11 You Got Your Armies 00:25 The Spew King 00:25 I'm Doomed 02:50 Status Back Baby 01:24 The London Cab Tape 01:21 Concentration Moon, Part One 01:34 The Sanzini Brothers 02:45 "It's A Good Thing We Get Paid To Do This" 02:04 Concentration Moon, Part Two 03:16 Mom & Dad 01:32 Intro To Music For Low Budget Orchestra 30:26 Billy The Mountain The True Story Of 200 Motels 01:21 He's Watching Us 00:23 If You're Not A Professional Actor 00:15 He's Right 00:12 Going For The Money 01:34 Jeff Quits 00:56 A Bunch Of Adventures 00:39 Martin Lickert's Story 00:30 A Great Guy 00:11 Bad Acting 00:21 The Worst Reviews 01:03 A Version Of Himself 00:36 I Could Be A Star Now ------------------------------------------------------------------------------ ??-??-93 Shankar: Touch Me There 05:23 Dead Girls Of London 03:20 Little Stinker 03:03 Touch Me There 08:16 No Mr. Nice Girl 03:33 Love Gone Away 02:56 Darlene 03:57 Windy Morning 05:38 Knee-Deep In Heaters ------------------------------------------------------------------------------ ??-??-92 Stairway To Heaven / Bolero (Single) 09:20 Stairway To Heaven 05:40 Bolero ------------------------------------------------------------------------------ ??-??-92 You Can't Do That On Stage Anymore Vol. 6 Disk 1 03:01 The M.O.I. Anti-Smut Loyalty Oath 05:02 The Poodle Lecture 02:40 Dirty Love 02:21 Magic Fingers 02:44 The Madison Panty-Sniffing Festival 04:02 Honey, Don't You Want A Man Like Me? 02:22 Father O'Blivion 04:03 Is That Guy Kidding Or What? 01:39 I'm So Cute 02:07 White Person 03:14 Lonely Person Devices 02:00 Ms. Pinky 06:46 Shove It Right In 02:32 Wind Up Working In A Gas Station 03:09 Make A Sex Noise 03:54 Tracy Is A Snob 05:05 I Have Been In You 01:32 Emperor Of Ohio 03:16 Dinah-Moe Humm 02:34 He's So Gay 03:10 Camarillo Brillo 02:25 Muffin Man Disk 2 00:46 NYC Halloween Audience 08:05 The Illinois Enema Bandit 06:09 Thirteen 02:21 Lobster Girl 05:22 Black Napkins 04:57 We're Turning Again 04:16 Alien Orifice 04:04 Catholic Girls 05:34 Crew Slut 03:33 Tryin' To Grow A Chin 03:47 Take Your Clothes Off When You Dance 03:06 Lisa's Life Story 05:15 Lonesome Cowboy Nando 03:43 200 Motels Finale 07:08 Strictly Genteel ------------------------------------------------------------------------------ ??-??-92 You Can't Do That On Stage Anymore Vol. 5 Disk 1 04:01 The Downtown Talent Scout 04:38 Charles Ives 02:45 Here Lies Love 01:57 Piano/Drum Duet 04:05 Mozart Ballet 03:25 Chocolate Halvah 01:03 JCB & Kansas On The Bus #1 01:17 Run Home Slow: Main Title Theme 01:21 The Little March 05:07 Right There 00:52 Where Is Johnny Velvet? 01:44 Return Of The Hunch-Back Duke 04:07 Trouble Every Day 01:40 Proto-Minimalism 01:11 JCB & Kansas On The Bus #2 01:22 My Head? 01:24 Meow 03:27 Baked-Bean Boogie 02:29 Where's Our Equipment? 04:27 FZ/JCB Drum Duet 04:45 No Waiting For The Peanuts To Dissolve 00:46 A Game Of Cards 03:52 Underground Freak-Out Music 06:43 German Lunch 02:12 My Guitar Wants To Kill Your Mama Disk 2 07:39 Easy Meat 02:29 Dead Girls Of London 01:45 Shall We Take Ourselves Seriously? 05:04 What's New In Baltimore? 02:29 Moggio 03:13 Dancin' Fool 07:59 RDNZL 07:01 Advance Romance 10:38 City Of Tiny Lites 08:39 A Pound For A Brown (On The Bus) 01:59 Doreen 09:57 The Black Page #2 01:38 Geneva Farewell ------------------------------------------------------------------------------ 06-14-91 You Can't Do That On Stage Anymore Vol. 4 Disk 1 02:57 Little Rubber Girl 02:04 Stick Together 03:19 My Guitar Wants To Kill Your Mama (1984) 02:07 Willie The Pimp 05:47 Montana 02:38 Brown Moses 07:12 The Evil Prince 01:49 Approximate 01:58 Love Of My Life (Mudd Club Version) 07:11 Let's Move To Cleveland - Solos (1984) 04:07 You Call That Music? 06:30 Pound For A Brown - Solos (1978) 05:15 The Black Page #2 (1984) 03:02 Take Me Out To The Ball Game 05:40 Filthy Habits 09:15 The Torture Never Stops (Original Version) Disk 2 02:00 Church Chat 10:51 Stevie's Spanking 06:10 Outside Now 03:00 Disco Boy 01:54 Teen-Age Wind 04:47 Truck Driver Divorce 05:10 Floretine Pogen 04:30 Tiny Sick Tears 04:30 Smell My Beard 02:47 The Booger Man 06:28 Carolina Hard Core Ecstasy 01:29 Are You Upset? 01:41 Little Girl Of Mine 02:05 The Closer You Are 00:52 Johnny Darling 01:26 No, No Cherry 01:16 The Man From Utopia 02:14 Mary Lou ------------------------------------------------------------------------------ 06-04-91 Make A Jazz Noise Here Disk 1 07:40 Stinkfoot 14:36 When Yuppies Go To Hell 03:57 Fire And Chains 01:36 Let's Make The Water Turn Black ??:?? Harry, You're A Beast 00:42 The Orange County Lumber Truck 04:43 Oh No 01:12 Theme From Lumpy Gravy 01:55 Eat That Question 06:56 Black Napkins 11:13 Big Swifty 13:11 King Kong 03:33 Star Wars Won't Work Disk 2 06:45 The Black Page (new age version) 01:42 T'Mershi Duween 08:35 Dupree's Paradise 08:01 City Of Tiny Lights 01:00 Royal March From "L'Histoire Du Soldat" 00:43 Theme From The Bartok Piano Concerto 06:19 Sinister Footwear 2nd mvt. 04:26 Stevie's Spanking 04:15 Alien Orifice 08:28 Cruisin' For Burgers 07:43 Advance Romance 05:37 Strictly Genteel ------------------------------------------------------------------------------ 04-16-91 The Best Band You Never Heard In Your Life Disk 1 06:04 Heavy Duty Judy 02:01 Ring Of Fire 04:32 Cosmik Debris 02:42 Find Her Finer 02:41 Who Needs The Peace Corps? 00:36 I Left My Heart In San Francisco 05:42 Zomby Woof 05:33 Bolero 05:19 Zoot Allures 07:07 Mr. Green Genes 03:41 Florentine Pogen 07:12 Andy 05:51 Inca Roads 08:20 Sofa #1 Disk 2 02:27 Purple Haze 02:30 Sunshine Of Your Love 05:52 Let's Move To Cleveland 00:47 When Irish Eyes Are Smiling 00:30 "Godfather Part II" Theme 04:01 A Few Moments With Brother A. West 05:20 The Torture Never Stops Part One 00:29 Theme From "Bonanza" 04:54 Lonesome Cowboy Burt (Swaggart Version) 10:48 The Torture Never Stops Part Two 05:29 More Trouble Every Day (Swaggart Version) 05:05 Penguin In Bondage (Swaggart Version) 09:19 The Eric Dolphy Memorial Barbecue 09:20 Stairway To Heaven ------------------------------------------------------------------------------ 11-13-89 You Can't Do That On Stage Anymore Vol. 3 Disk 1 08:54 Sharleena 06:06 Bamboozled By Love 02:52 Lucille Has Messed My Mind Up 06:56 Advance Romance (1984) 02:44 Bobby Brown Goes Down 03:30 Keep It Greasey 04:16 Honey, Don't You Want A Man Like Me? 03:01 In France 09:22 Drowning Witch 04:22 Ride My Face To Chicago 04:06 Carol, You Fool 04:52 Chana In De Bushwop 02:20 Joe's Garage 03:06 Why Does It Hurt When I Pee? Disk 2 10:08 Dickie's Such An Asshole 03:18 Hands With A Hammer 06:09 Zoot Allures 02:33 Society Pages 01:55 I'm A Beautiful Guy 02:55 Beauty Knows No Pain 03:40 Charlie's Enormous Mouth 03:14 Cocaine Decisions 04:59 Nig Biz 24:32 King Kong 05:13 Cosmik Debris ------------------------------------------------------------------------------ 10-25-88 You Can't Do That On Stage Anymore Vol. 2 Disk 1 02:48 Tush Tush Tush (A Token Of My Extreme) 04:18 Stinkfoot 10:54 Inca Roads 08:43 RDNZL 04:33 Village Of The Sun 03:30 Echidna's Arf (Of You) 04:56 Don't You Ever Wash That Thing? 08:22 Pygmy Twylyte 06:22 Room Service 02:39 The Idiot Bastard Son 04:28 Cheepnis Disk 2 08:11 Approximate 23:59 Dupree's Paradise 03:51 Satumaa (Finnish Tango) 01:31 T'Mershi Duween 01:38 The Dog Breath Variations 02:28 Uncle Meat 01:00 Building A Girl 10:15 Montana (Whipping Floss) 02:16 Big Swifty ------------------------------------------------------------------------------ 10-25-88 Broadway The Hard Way 02:24 Elvis Has Just Left The Building 02:48 Planet Of The Baritone Women 05:42 Any Kind Of Pain 05:45 Dickie's Such An Asshole 03:38 When The Lie's So Big 03:50 Rhymin' Man 02:02 Promiscuous 02:26 The Untouchables 02:57 Why Don't You Like Me? 01:29 Bacon Fat 02:58 Stolen Moments 05:37 Murder By Numbers 02:27 Jezebel Boy 07:49 Outside Now 06:40 Hot Plate Heaven At The Green Hotel 03:16 What Kinf Of Girl? 09:15 Jesus Thinks You're A Jerk ------------------------------------------------------------------------------ 05-09-88 You Can't Do That On Stage Anymore Vol. 1 Disk 1 01:04 The Florida Airport Tape 04:38 Once Upon A Time 02:53 Sofa #1 05:41 The Mammy Anthem 03:39 You Didn't Try To Call Me 02:22 Diseases Of The Band 03:44 Tryin' To Grow A Chin 03:28 Let's Make The Water Turn Black Harry, You're A Beast The Orange County Lumber Truck 05:41 The Groupie Routine 02:57 Ruthie-Ruthie 03:36 Babbette 03:13 I'm The Slime 08:47 Big Swifty 20:16 Don't Eat The Yellow Snow Disk 2 04:39 Plastic People 15:48 The Torture Never Stops 02:55 Fine Girl 05:39 Zomby Woof 02:39 Sweet Leilani 04:34 Oh No 03:30 Be In My Video 05:29 The Deathless Horsie 01:50 The Dangerous Kitchen 04:20 Dumb All Over 04:06 Heavenly Bank Account 04:56 Suicide Chump 02:09 Tell Me You Love Me 03:01 Sofa #2 ------------------------------------------------------------------------------ 04-26-88 Guitar Disk 1 03:43 Sexual Harassment In The Workplace 03:05 Which One Is It? 05:08 Republicans 03:37 Do Not Pass Go 04:52 Chalk Pie 02:50 In-A-Gadda-Stravinsky 03:17 That's Not Really Reggae 04:49 When No One Was No One 03:44 Once Again, Without The Net 05:28 Outside Now (Original Solo) 03:13 Jim & Tammy's Upper Room 02:50 Were We Ever Really Safe In San Antonio? 05:02 That Ol' G Minor Thing Again 02:44 Hotel Atlanta Incidentals 04:24 That's Not Really A Shuffle 05:44 Move It Or Park It 03:58 Sunrise Redeemer Disk 2 05:16 Variations On Sinister #3 02:12 Orrin Hatch On Skis 02:59 But Who Was Fulcanelli? 03:26 For Duane 04:51 GOA 03:14 Winos Do Not March 04:24 Swans? What Swans? 04:20 Too Ugly For Show Business 05:32 Systems Of Edges 03:47 Do Not Try This At Home 06:58 Things That Look Like Meat 04:03 Watermelon In Easter Hay 03:35 Canadian Customs 04:08 Is That All There Is? 04:26 It Ain't Necessarily The Saint James Infirmary ------------------------------------------------------------------------------ 11-15-86 Jazz From Hell 04:48 Night School 03:28 The Beltway Bandits 07:16 While You Were Art II 03:00 Jazz From Hell 03:16 G-Spot Tornado 03:45 Damp Ankles 06:05 St. Etienne 02:32 Massaggio Galore ------------------------------------------------------------------------------ 01-27-86 Does Humor Belong In Music? 05:27 Zoot Allures 04:42 Tinsel-Town Rebellion 05:31 Trouble Every Day 06:50 Penguin In Bondage 06:36 Hot-Plate Heaven At The Green Hotel 04:47 What's New In Baltimore? 01:05 Cock-Suckers' Ball 01:30 WPLJ 15:44 Let's Move To Cleveland 08:27 Whippin' Post ------------------------------------------------------------------------------ 11-21-85 Meets The Mothers Of Prevention 04:45 I Don't Even Care 02:34 One Man - One Vote 03:02 Little Beige Sambo 03:17 Aerobics In Bondage 04:55 We're Turning Again 04:12 Alien Orifice 03:35 Yo Cats 05:25 What's New In Baltimore? 12:04 Porn Wars ------------------------------------------------------------------------------ 11-21-84 Francesco Zappa OPUS I 03:28 No. 1 1st Movement ANDANTE 01:27 2nd Movement ALLEGRO CON BRIO 02:14 No. 2 1st Movement ANDANTINO 02:02 2nd Movement MINUETTO GRAZIOSO 01:52 No. 3 1st Movement ANDANTINO 01:50 2nd Movement PRESTO 02:20 No. 4 1st Movement ANDANTE 03:02 2nd Movement ALLEGRO 02:26 No. 5 2nd Movement MINUETTO GRAZIOSO 02:05 No. 6 1st Movement LARGO 02:01 2nd Movement MINUET OPUS IV 02:42 No. 1 1st Movement ANDANTINO 01:58 2nd Movement ALLEGRO ASSAI 01:17 No. 2 2nd Movement ALLEGRO ASSAI 02:22 No. 3 1st Movement ANDANTE 01:58 2nd Movement TEMPO DI MINUETTO 02:07 No. 4 1st Movement Minuetto ------------------------------------------------------------------------------ 11-21-84 Thing-Fish Disk 1 02:56 Prologue 03:31 The Mammy Nuns 03:37 Harry & Rhonda 05:27 Galoot Up-Date 10:33 The 'Torchum' Never Stops 01:18 That Evil Prince 04:31 You Are What You Is 03:17 Mudd Club 03:15 The Meek Shall Inherit Nothing 01:39 Clowns On Velvet 02:51 Harry-As-A-Boy 02:49 He's So Gay Disk 2 05:09 The Massive Improve'lence 03:34 Artificial Rhonda 03:48 The Crab-Grass Baby 03:23 The White Boy Troubles 05:51 No Not Now 04:10 Briefcase Boogie 03:02 Brown Moses 04:02 Wistful Wit A Fist-Full 07:56 Drop Dead 04:20 Won Ton On ------------------------------------------------------------------------------ 10-18-84 Them Or Us 03:02 The Closer You Are 03:32 In France 06:27 Ya Hozna 04:35 Sharleena 08:39 Sinister Footwear II 09:05 Truck Driver Divorce 05:24 Stevie's Spanking 01:53 Baby, Take Your Teeth Out 07:36 Marque-Son's Chicken 01:40 Planet Of My Dreams 03:41 Be In My Video 05:09 Them Or Us 02:47 Frogs With Dirty Little Lips 07:37 Whippin' Post ------------------------------------------------------------------------------ 08-23-84 The Perfect Stranger 12:44 The Perfect Stranger 02:43 Naval Aviation in Art? 03:20 The Girl in the Magnesium Dress 04:05 Outside now again 00:58 Love Story 07:52 Dupree's Paradise 05:29 Jonestown ------------------------------------------------------------------------------ 06-09-83 London Symphony Orchestra 09:53 Sad Jane 14:50 Mo'n Herb's Vacation I 10:05 Mo'n Herb's Vacation II 12:53 Mo'n Herb's Vacation II 24:31 Bogus Pomp ------------------------------------------------------------------------------ 03-??-83 Baby Snakes 00:36 Intro Rap 01:45 Baby Snakes 06:14 Titties 'N' Beer 02:51 The Black Page #2 02:53 Jones Crusher 03:55 Disco Boy 06:40 Dinah Moe Humm 11:30 Punky's Whips ------------------------------------------------------------------------------ 03-??-83 The Man From Utopia 03:53 Cocaine Decisions 03:44 SEX 03:39 Tink Walks Amok 05:51 The Radio Is Broken 03:18 We Are Not Alone 02:51 The Dangerous Kitchen 03:22 The Man From Utopia Meets Mary Lou 03:14 Stick Together 04:29 The Jazz Discharge Party Hats 03:25 Luigi & The Wise Guys 02:35 Moggio ------------------------------------------------------------------------------ 05-??-82 Ship Arriving Too Late To Save A Drowning Witch 05:51 No Not Now 04:50 Valley Girl 06:10 I Come From Nowhere 12:03 Drowning Witch 02:46 Envelopes 02:40 Teen-Age Prostitute ------------------------------------------------------------------------------ 09-??-81 You Are What You Is 03:01 Teen-age Wind 02:28 Harder Than Your Husband 04:44 Doreen 04:06 Goblin Girl 03:31 Theme From The 3rd Movement Of Sinister Footwear 02:26 Society Pages 01:56 I'm A Beatiful Guy 03:01 Beauty Knows No Pain 03:36 Charlie's Enormous Mouth 02:08 Any Downers? 04:18 Conehead 04:23 You Are What You Is 03:11 Mudd Club 03:10 The Meek Shall Inherit Nothing 04:03 Dumb All Over 03:44 Heavenly Bank Account 02:49 Suicide Chump 03:44 Jumbo Go Away 03:47 If Only She Woulda 03:06 Drafted Again ------------------------------------------------------------------------------ 05-11-81 Shut Up'n Play Yer Guitar Disk 1 02:36 Five-Five-Five 02:47 Hog Heaven 05:36 Shut Up'n Play Yer Guitar 06:10 While You Were Out 05:30 Treacherous Cretins 04:39 Heavy Duty Judy 08:03 Soup'n Old Clothes 03:56 Variations On The Carlos Santana Secret Chord Progression 02:32 Gee, I Like Your Pants 06:06 Canarsie 05:26 Ship Ahoy Disk 2 06:19 The Deathless Horsie 06:52 Shut Up'n Play Yer Guitar Some More 04:41 Pink Napkins 01:40 Beat It With Your Fist 08:46 Return Of The Sun Of Shut Up'n Play Yer Guitar 02:05 Pinocchio's Furniture 04:40 Why Johnny Can't Read 08:57 Stucco Homes 10:13 Canard Du Jour ------------------------------------------------------------------------------ 05-11-81 Tinsel Town Rebellion 03:29 Fine Girl 09:20 Easy Meat 02:36 For The Young Sophisticate 02:15 Love Of My Live 01:59 I Ain't Got No Heart 04:35 Panty Rap 02:07 Tell Me You Love Me 05:01 Now You See It - Now You Don't 03:00 Dance Contest 05:26 The Blue Light 04:35 Tinsel Town Rebellion 05:00 Pick Me, I'm Clean 05:46 Bamboozled By Love 07:14 Brown Shoes Don't Make It 04:56 Peaches III ------------------------------------------------------------------------------ 11-19-79 09-17-79 Joe's Garage, Acts I, II, & III Disk 1 03:28 Central Scrutinizer 06:10 Joe's Garage 04:26 Catholic Girls 06:31 Crew Slut 04:45 Fembot In A Wet T-Shirt 04:19 On The Bus 02:36 Why Does It Hurt When I Pee? 05:43 Lucille Has Messed My Mind Up 01:35 Scrutinizer Postlude 05:30 A Token Of My Extreme 04:34 Stick It Out 08:56 Sy Borg Disk 2 05:03 Dong Work For Yuda 08:22 Keep It Greasey 05:50 Outside Now 08:35 He Used To Cut The Grass 11:34 Packard Goose 09:09 Watermelon In Easter Hay 08:15 A Little Green Rosetta ------------------------------------------------------------------------------ 05-04-79 Orchestral Favorites 07:03 Strictly Genteel 07:41 Pedro's Dowry 01:22 Naval Aviation In Art? 04:21 Duke Of Prunes 13:28 Bogus Pomp ------------------------------------------------------------------------------ 03-03-79 Sheik Yerbouti ??:?? I Have Been In You ??:?? Flakes ??:?? Broken Hearts Are For Assholes ??:?? I'm So Cute ??:?? Jones Crusher ??:?? What Ever Happened To All The Fun In The World ??:?? Rat Tomago ??:?? We Gotta Get Into Something Real ??:?? Bobby Brown ??:?? Rubber Shirt ??:?? The Sheik Yerbouti Tango ??:?? Baby Snakes ??:?? Tryin' To Grow A Chin ??:?? City Of Tiny Lites ??:?? Dancin' Fool ??:?? Jewish Princess ??:?? Wild Love ??:?? Yo' Mama ------------------------------------------------------------------------------ 01-12-79 Sleep Dirt 07:33 Filthy Habits 04:54 Flambay 02:34 Spider Of Destiny 04:13 Regyptian Strut 02:49 Time Is Money 03:21 Sleep Dirt 13:17 The Ocean Is The Ultimate Solution ------------------------------------------------------------------------------ 09-15-78 Studio Tan 20:33 The Adventures Of Greggery Peccary 07:37 Revised Music For Guitar And Low-Budget Orchestra 02:45 Lemme Take You To The Beach 08:14 RDNZL ------------------------------------------------------------------------------ 03-13-78 Live In New York Disk 1 07:36 Titties & Beer 09:12 Cruisin' For Burgers 03:32 I Promise Not To Come In Your Mouth 10:50 Punky's Whips 04:12 Honey, Don't You Want A Man Like Me? 12:41 The Illinois Enema Bandit Disk 2 04:23 I'm The Slime 03:42 Pound For A Brown 01:50 Manx Needs Women 03:51 The Black Page Drum Solo/Black Page #1 02:17 Big Leg Emma 02:56 Sofa 05:36 The Black Page #2 12:36 The Torture Never Stops 16:40 The Purple Lagoon/Approximate ------------------------------------------------------------------------------ 10-29-76 Zoot Allures 02:29 Wind Up Workin' In A Gas Station 04:15 Black Napkins 09:45 The Torture Never Stops 03:40 Ms Pinky 04:07 Find Her Finer 04:17 Friendly Little Finger 03:38 Wonderful Wino 04:12 Zoot Allures 05:09 Disco Boy ------------------------------------------------------------------------------ 10-02-75 Bongo Fury 03:54 Debra Kadabra 05:59 Carolina Hard-Core Ecstasy 03:21 Sam With The Showing Scalp Flat Top 02:32 Poofter's Froth Wyoming Plans Ahead 04:32 200 Years Old 02:24 Cucamonga 11:17 Advance Romance 01:28 Man With The Woman Head 05:32 Muffin Man ------------------------------------------------------------------------------ 06-25-75 One Size Fits All 08:45 Inca Roads 02:38 Can't Afford No Shoes 02:40 Sofa No. 1 07:39 Po-Jama People 05:27 Florentine Pogen 01:05 Evelyn, A Modified Dog 05:57 San Ber'dino 06:03 Andy 02:38 Sofa No. 2 ------------------------------------------------------------------------------ 09-10-74 Roxy & Elsewhere 06:48 Penguin in Bondage 02:13 Pygmy Twylyte 06:03 Dummy Up 04:17 Village of the Sun 03:53 Echidna's Arf (Of You) 09:41 Don't You Ever Wash That Thing? 06:31 Cheepnis 05:54 Son of Orange County 06:01 More Trouble Every Day 16:40 Be-Bop Tango (of the Old Jazzmen's Church) ------------------------------------------------------------------------------ 03-22-74 09-07-73 Apostrophe' / Overnite Sensation 02:06 Don't Eat The Yellow Snow 04:38 Nanook Rubs It 01:51 St. Alphonzo's Pancake Breakfast 02:18 Father O'Blivion 04:17 Cosmik Debris 01:32 Excentrifugal Forz 05:53 Apostrophe' 02:45 Uncle Remus 06:38 Stink Foot 03:59 Camarillo Brillo 03:35 I'm The Slime 02:59 Dirty Love 06:11 Fifty-Fifty 05:10 Zomby Woof 06:04 Dinah-Moe Humm 06:36 Montana ------------------------------------------------------------------------------ 11-??-72 The Grand Wazoo 06:06 For Calvin (And His Next Two Hitch-Hikers) 13:21 The Grand Wazoo 02:57 Cletus Awreetus-Awrightus 06:43 Eat That Question 08:03 Blessed Relief ------------------------------------------------------------------------------ 07-05-72 Waka/Jawaka 17:22 Big Swifty 03:12 Your Mouth 04:17 It Just Might Be A One-Shot Deal 11:17 Waka/Jawaka ------------------------------------------------------------------------------ 03-??-72 Just another Band From L.A. 24:46 Billy The Mountain 07:22 Call Any Vegetable 03:09 Eddie, Are You Kidding? 06:24 Magdalena 03:37 Dog Breath ------------------------------------------------------------------------------ 08-??-71 Fillmore East, June 1971 04:41 Little House I Used To Live In 05:22 The Mud Shark 04:17 What Kind Of Girl Do You Think We Are? 02:21 Bwana Dik 02:38 Latex Solar Beef 04:03 Willie The Pimp 07:08 Do You Like My New Car? 02:57 Happy Together (Bonner & Gordon) 02:32 Lonesome Electric Turkey 03:22 Peaches En Regalia 02:45 Tears Began To Fall ------------------------------------------------------------------------------ 10-23-70 Chunga's Revenge 05:01 Transylvania Boogie 04:10 Road Ladies 02:17 Twenty Small Cigars 09:27 The Nancy & Mary Music 02:33 Tell Me You Love Me 02:29 Would You Go All The Way? 06:15 Chunga's Revenge 01:23 The Clap 02:44 Rudy Wants To Buy Yez A Drink 04:03 Sharleena ------------------------------------------------------------------------------ 08-??-70 Weasels Ripped My Flesh 06:51 Didja Get Any Onya? 05:16 Directly From My Heart To You (R.W. Penniman) 03:48 Prelude To The Afternoon Of A Sexually Aroused Gas Mask 04:48 Toads Of The Short Forest 02:31 Get A Little 06:52 The Eric Dolphy Memorial Barbecue 02:12 Dwarf Nebula Processional March & Dwarf Nebula 03:32 My Guitar Wants To Kill Your Mama 01:45 Oh No 03:21 The Orange County Lumber Truck 02:08 Weasels Ripped My Flesh ------------------------------------------------------------------------------ 02-09-70 Burnt Weny Sandwich 02:52 WPLJ 00:37 Igor's Boogie, Phase One 01:27 Overture To A Holiday In Berlin 04:32 Theme From Burnt Weeny Sandwich 00:37 Igor's Boogie, Phase Two 06:23 Holiday In Berlin, Full-Blown 02:46 Aybe Sea 18:42 The Little House I Used To Live In 03:14 Valarie ------------------------------------------------------------------------------ 10-15-69 Hot Rats 03:37 Peaches En Regalia 09:16 Willie The Pimp 08:29 Son Of Mr. Green Genes 03:03 Little Umbrellas 16:57 The Gumbo Variations 05:16 It Must Be A Camel ------------------------------------------------------------------------------ 03-??-69 Uncle Meat Disk 1 01:54 Uncle Meat: Main Title Theme 00:27 The Voice Of Cheese 05:56 Nine Types Of Industrial Pollution 00:57 Zolar Czakl 03:59 Dog Breath, In the Year Of The Plague 03:27 The Legend Of The Golden Arches 02:28 Louie Louie (At The Royal Albert Hall in London) 01:36 The Dog Breath Variations 00:49 Sleeping In A Jar 01:05 Our Bizarre Relationship 04:40 The Uncle Meat Variations 01:53 Electric Aunt Jemima 03:24 Prelude To King Kong 01:22 God Bless America (Live at the Whisky A Go Go) 01:29 A Pound For A Brown On The Bus 05:08 Ian Underwood Whips It Out (Live on stage in Copenhagen) 03:10 Mr. Green Genes 01:48 We Can Shoot You 01:29 "If We'd All Been Living in California..." 02:57 The Air 04:47 Project X 02:19 Cruising For Burgers Disk 2 37:34 Uncle Meat Film Excerpt Part I 03:46 Tengo Na Minchia Tanta 03:50 Uncle Meat Film Excerpt Part II 00:53 King Kong Itself 01:15 King Kong II 01:44 King Kong III 06:17 King Kong IV 00:29 King Kong V 07:22 King Kong VI ------------------------------------------------------------------------------ 11-??-68 Cruising With Ruben & The Jets 02:30 Cheap Thrills 03:17 Love Of My Life 03:33 How Could I Be Such A Fool? 02:04 Deseri 03:59 I'm Not Satisfied 02:17 Jelly Roll Gum Drop 03:00 Anything 03:04 Later That Night 03:53 You Didn't Try To Call Me 02:57 Fountain Of Love 02:27 "No. No. No." 02:56 Anyway The Wind Blows 04:37 Stuff Up The Cracks ------------------------------------------------------------------------------ 12-??-67 09-??-68 We're Only In It For The Money / Lumpy Gravy 01:30 Are You Hung Up? 02:35 Who Needs The Peace Corps? 02:17 Concentration Moon 02:20 Mom & Dad 00:45 Telephone Conversation 00:33 Bow Tie Daddy 01:22 Harry, You're A Beast 01:03 What's The Ugliest Part Of Your Body? 03:28 Absolutely Free 03:04 Flower Punk 00:30 Hot Poop 02:03 Nasal Retentive Calliope Music 01:45 Let's Make The Water Turn Black 02:44 The Idiot Bastard Son 01:45 Lonely Little Girl 01:35 Take Your Clothes Off When You Dance 00:57 What's The Ugliest Part Of Your Body? (reprise) 02:32 Mother People 06:26 The Chrome Plated Megaphone Of Destiny 15:49 Lumpy Gravy I 15:51 Lumpy Gravy II ------------------------------------------------------------------------------ 04-??-67 Absolutely Free 03:42 Plastic People 02:13 The Duke Of Prunes 01:01 Amnesia Vivace 01:50 The Duke Regains His Chops 02:20 Call Any Vegetable 07:00 Invocation And Ritual Dance Of The Young Pumpkin 01:40 Soft-Sell Conclusion 02:32 Big Leg Emma 02:37 Why Don'tcha Do Me Right? 01:53 America Drinks 02:54 Status Back Baby 02:11 Uncle Bernie's Farm 01:34 Son Of Suzy Creamcheese 07:30 Brown Shoes Don't Make It 02:46 America Drinks & Goes Home ------------------------------------------------------------------------------ 02-07-66 Freak Out! 03:27 Hungry Freaks, Daddy 02:30 I Ain't Got No Heart 03:22 Who Are The Brain Police 03:31 Go Cry On Somebody Else's Shoulder 02:45 Motherly Love 02:12 How Could I Be Such A Fool 02:45 Wowie Zowie 03:17 You Didn't Try To Call Me 02:52 Any Way The Wind Blows 02:37 I'm Not Satisfied 03:37 You're Probably Wondering Why I'm Here 06:16 Trouble Every Day 08:37 Help, I'm A Rock 12:17 The Return Of The Son Of Monster Magnet DBN Volume 2 Part III GDH Stations GDH Setlist 305,306,307,308,310 Terrapin Station 914-344-2860 Fido 1:272/51 GRATEFUL DEAD HOUR National broadcast schedule as of August 12, 1994 Some additions worth noting: KISM-FM 92.5 Bellingham WA Sunday 9am (actually, they start at 8am with a locally-produced program) KSEG-FM 96.9 Sacramento CA Saturday midnight -> Starts 9/3 KYUK-AM 580 Bethel AK KRBD-FM 105.9 Ketchikan AK Saturday 9pm WQPR-FM 88.7 Muscle Shoals AL Friday 11pm WUAL-FM 91.5 Tuscaloosa/Bham AL Friday 11pm KZON-FM 101.5 Phoenix AZ Monday 11pm KEKO-FM 92.1 Tucson AZ Friday 10pm KHSU-FM 90.5 Arcata CA Tuesday 10pm KPFA-FM 94.1 Berkeley CA Wednesday 8pm KFCF-FM 88.1 Fresno CA Wednesday 8pm KLSX-FM 97.1 Los Angeles CA Sunday midnight KNSQ-FM 88.1 Mt. Shasta CA Saturday 8pm KAZU-FM 90.3 Pacific Grove CA Saturday 6pm KNCA-FM 89.7 Redding CA Saturday 8pm KSEG-FM 96.9 Sacramento CA Saturday midnight -> Starts 9/3 KCLX-FM 102.9 San Diego CA Sunday 11pm KGNU-FM 88.5 Boulder CO Saturday 8pm KSKE-FM 104.7 Vail CO Sunday 8pm WHCN-FM 105.9 Hartford CT Saturday 11pm WRUF-FM 103.7 Gainesville FL Sunday 10pm WJCT-FM 89.9 Jacksonville FL Friday 11pm WZTA-FM 94.9 Miami FL Sunday 11pm KFMG-FM 103.3 Des Moines IA KBSU-FM 90.3 Boise ID Friday 11pm KUOI-FM 89.3 Moscow ID Thursday 9pm WEFT-FM 90.1 Champaign IL Friday 7pm WXRT-FM 93.1 Chicago IL Sunday 9pm WFHB-FM 91.3 Bloomington IN Saturday 7pm KMKF-FM 101.5 Manhattan KS Sunday 11pm WQMF-FM 95.7 Louisville KY Sunday midninght WKHS-FM 90.5 Baltimore MD Saturday 7pm WWDX-FM 92.1 East Lansing MI Monday 11pm KUMD-FM 103.3 Duluth MN Saturday 4pm KTCZ-FM 97.1 Minneapolis MN Sunday 10pm KOPN-FM 89.5 Columbia MO Friday 9pm KKFI-FM 90.1 Kansas City MO Friday 10pm KMNR-FM 89.7 Rolla MO Saturday midnight KZUM-FM 89.3 Lincoln NE Wednesday 10pm KLSK-FM 104.1 Albuquerque NM Wednesday 9pm - NEW STATION KTHX-FM 101.7 Reno NV Sunday 8pm WQBK-FM 103.9 Albany NY Tuesday 10pm WGR-FM 96.9 Buffalo NY Sunday midnight WNEW-FM 102.7 New York NY Sunday midnight WMAX-FM 106.7 Rochester NY Sunday 10pm WRPI-FM 91.5 Troy NY Thursday 11pm WWCD-FM 101.1 Columbus OH Wednesday 10pm KSBA-FM 88.5 Coos Bay OR Saturday 8pm KPUR-FM 94.5 Forest Grove OR Friday noon KSKF-FM 90.9 Klamath Falls OR Saturday 8pm KSMF-FM 89.1 Medford OR Saturday 8pm WXPN-FM 88.5 Philadelphia PA Saturday 7pm WDUQ-FM 90.5 Pittsburgh PA Sunday 8pm WQSU-FM 88.9 Selinsgrove PA Saturday 7pm KGSR-FM 107.1 Austin TX Saturday midnight KZFX-FM 107.5 Houston TX Thursday 11pm KLZX-FM 93.3 Salt Lake City UT Sunday 10pm WCVE-FM 88.9 Richmond VA Saturday 11:30pm WROV-FM 96.3 Roanoke VA Sunday 7pm WKOC-FM 93.7 Virginia Beach VA Monday 11pm WIZN-FM 106.7 Burlington VT Sunday 10pm KISM-FM 92.5 Bellingham WA Sunday 9am KBCS-FM 91.3 Seattle WA Tuesday 10pm KHSS-FM 100.9 Walla Walla WA Sunday 8pm WOJB-FM 88.9 Hayward WI Friday 11:30pm WMMM-FM 105.5 Madison WI Sunday 11pm KUWR-FM 91.9 Laramie WY Saturday 11pm -------------------------------------------------------- -------------------------------------------------------------------- Grateful Dead Hours 305,306,307,308,310 -------------------------------------------------------------------- Grateful Dead Hour no. 305 Part 1 25:39 In cue: :00 1:41 Introduction 1:41 5:49 Grateful Dead Ante Up: the Built to Last Interview STANDING ON THE MOON 7:30 18:04 Grateful Dead 4/6/89 Crisler Arena, Ann Arbor MI JAM-> I WILL TAKE YOU HOME-> THE OTHER ONE 25:34 :05 ID Out cue: ...when the Grateful Dead Hour continues. Part 2 25:00 In cue: You're listening to the Grateful Dead Hour... 26:09 :04 Introduction 26:13 23:46 Grateful Dead 4/6/89 Crisler Arena, Ann Arbor MI PLAYING IN THE BAND-> BUILT TO LAST PLAYING IN THE BAND 49:59 1:10 Outro Out cue: and I'll meet you back here next week. Grateful Dead Hour no. 306 Part 1 22:27 In cue: :00 1:08 Introduction 1:08 21:14 Grateful Dead 7/2/94 Shoreline Amphitheater, Mtn View CA THE MUSIC NEVER STOPPED-> SUGAREE-> THE MUSIC NEVER STOPPED 22:22 :05 ID Out cue: ...when the Grateful Dead Hour continues. Part 2 29:20 In cue: You're listening to the Grateful Dead Hour... 22:57 :05 Introduction 23:02 28:14 Grateful Dead 7/2/94 Shoreline Amphitheater, Mtn View CA DESOLATION ROW FRIEND OF THE DEVIL ETERNITY 51:16 1:01 Outro Out cue: and I'll meet you back here next week. Grateful Dead Hour No. 307 Part 1 26:33 :00 1:57 Introduction 1:57 20:08 Grateful Dead 7/2/94 Shoreline Amphitheater, Mtn View CA HELP ON THE WAY-> SLIPKNOT!-> FRANKLIN'S TOWER 22:05 4:10 Grateful Dead, American Beauty RIPPLE 26:15 :18 ID Part 2 27:16 27:03 :07 Introduction 27:10 26:24 Grateful Dead 7/2/94 Shoreline Amphitheater, Mtn View CA TRUCKIN'-> SMOKESTACK LIGHTNING-> HE'S GONE-> DRUMS 53:34 :45 Outro Grateful Dead Hour no. 308 Part 1 19:18 :00 :40 Introduction :40 4:40 Grateful Dead 7/1/94 Shoreline Amphitheater, Mtn View CA I WANT TO TELL YOU 5:20 13:04 Grateful Dead 3/29/90 Nassau Coliseum, Uniondale NY w/ Branford Marsalis (from Warriors KFOG Jam charity CD) BIRD SONG 18:24 :54 ID Part 2 32:42 19:48 :09 Introduction 19:57 31:37 Grateful Dead 6/26/94 Sam Boyd Silver Bowl, Las Vegas NV SAINT OF CIRCUMSTANCE-> TERRAPIN 51:34 :56 Outro Date: 00-01-80 (00:00) Number: 126 Message 33 of 100 To: ALL Refer#: From: BRIAN WAITE Recvd: No Subj: Grateful Dead Hour #310 Conf: 21 þ DEADHEAD Grateful Dead Hour no. 310 Part 1 20:36 :00 :55 Introduction :55 14:15 Grateful Dead 2/2/68 Crystal Ballroom, Portland OR VIOLA LEE BLUES 15:10 2:36 Little Junior Parker (Duke 164, 1957) NEXT TIME YOU SEE ME 17:46 2:21 Grateful Dead, American Beauty OPERATOR 20:07 :29 ID Part 2 32:50 21:06 :06 Introduction 21:12 32:05 Grateful Dead 2/2-3/68 Crystal Ballroom, Portland OR THAT'S IT FOR THE OTHER ONE-> CLEMENTINE-> GOOD MORNING LITTLE SCHOOLGIRL 53:17 :39 Outro **************************************************************************