ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ Copyright Registration of Genealogical Publications ³ ³ by VIRGINIA DeMARCE ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ Following is a memorandum from Virginia DeMarce, NGS President relating to copyright registration of genealogical complilations. This memorandum is a PRELIMINARY ALERT directed particularly to participants in the NGS/CIG Projects Registry conducted through the CIG Bulletin Board. Anyone involved in such a project should be aware of what is happening and possible implications for eventual copyright registration of the project, particularly since the Projects Registry is now recognized by the American Library Association. Any comments and concerns should be directed to: Harriet Oler, Chief Examining Division Copyright Office Library of Congress Washington, D.C. 20540 202-287-8207 Please cc. NGS for informational purposes with anything you send to Ms. Oler, so we can compile a file on the problem. Copyright exists under Title 17 U.S.C. (Revised to September 30, 1987, in the copy I have.) The current Copyright Law took effect on 1 January 1978. Copyright DOES belong automatically to the author, and the author has the legal right to affix a copyright notice to his or her work as soon as copies are distributed to the public, WHETHER OR NOT the work has been registered with the Copyright Office. Interpretation of copyright law is done by the U.S. court system by rulings handed down in individual cases heard. The Copyright Office does "administer" Title 17 U.S.C. in the sense that it REGISTERS people's claims to copyright in their works and makes a public record of this claim. This IS very important to authors, because without public record of copyright, it is much more difficult for an individual author to prosecute a case for piracy, plagiarism, infringement, etc. Article 101 of the Copyright Law, "Definitions," lists the terms used by the law. For "compilation," the paragraph reads: A "compilation" is a work formed by the collection and assembling of preexisting materials or of data that are selected, coordinated, or arranged in such a way that the resulting work as a whole constitutes an original work of authorship. The term "compilation" includes collective works. Copyright on such compilations has always been restricted by the limitations contained in Article 103: Article 103. Subject matter of copyright: Compilations and derivative works (a) The subject matter of copyright as specified by section 102 includes compilations and derivative works, but protection for a work employing preexisting material in which copyright subsists does not extend to any part of the work in which such material has been used unlawfully. (b) The copyright in a compilation or derivative work extends only to the material contributed by the author of such work, as distinguished from the preexisting material employed in the work, and does not imply any exclusive right in the preexisting material. The copyright in such work is independent of, and does not affect or enlarge the scope, duration, ownership, or subsistence of, any copyright protection in the preexisting material. The Examining Division of the Copyright Office examines every work submitted for registration to see if it is eligible for protection under the terms of the U.S. Copyright Law. For the last decade, to a considerable extent, copyright has been registered if the person producing a work had considerable "sweat of the brow" equity in it. This is the area where the current problem for genealogists lies. This problem was brought to NGS' attention last week by Jo White Linn, one of our former Regional Councilors, Host Society Chairman of the Raleigh Conference in the States, etc. We have done considerable follow-up. Suzanne Murray, the NGS Newsletter editor, had already heard about the matter, and had started to compile a file in preparation for a future article. I have met with a representative of the Copyright Office, and plan to meet with them again, as well as presenting written comments. It should be noted that a review of the Federal Register for 1986, 1987, and January-September 1988 indicates that no public notice for the following policy review was printed in any of the materials that the Federal Register indexes to the Copyright Office for that period. At this point, please pause and read through APPENDIX I to this memorandum, so you can reference my further discussion. [Note: Part 5 of this message] Thank you. My informal conversation with the Copyright Office representative on Thursday, November 17, elicited the following information: that this is part of a review of copyright of "fact- based" compilations (including such works as telephone directories and parts lists) and that when the review was put in place, it was indicated internally to copyright examiners that the intent was NOT TO DISCOURAGE the production of "socially useful" compilations. The immediate problem would seem to be that the criteria currently in use by the Copyright Office run directly counter to the criteria for usefulness of a genealogical compilation: They emphasize selection, whereas we hope for comprehensiveness; they emphasize editorial reorganization, whereas we hope to leave the material as close as possible to its original form and then produce those "mechanical" alphabetical or chronological indexes to it. I know that the following types of compilations have been questioned by the Copyright Office within the past few months: Verbatim transcriptions of Colonial-period court records Cemetery record/tombstone transcriptions Indexes to marriages from a single church or county. If CIG Projects Registry participants know of other types, please notify NGS ASAP. NGS will be compiling a response to this "review of policy and practices concerning fact-based compilations" at the Copyright Office. At least some of the following considerations will be presented: 1) Utilization by the compiler of paleographical skills in the decipherment of pre-modern handwriting. If this is not copyrightable for genealogical compilations, it logically will not be copyrightable for medieval documents (the British Rolls Series, the Domesday Book, etc.) and will be of serious implication for producers of series of historical records. 2) Compilations which are simultaneously translations (French, German, or Latin church records, etc.): They are not refusing to register new translations of Dante, for example, though that is a "sole source." 3) Questions about the implications of this for the copyright of "collective works" such as periodicals, as many major genealogical journals devote a considerable portion of their space to transcripts, abstracts, indexes, etc. 4) Definitions of "a single source," which at this moment appear to be rather fluid at the copyright office. For instance, one cemetery is a "single source"; five out of twenty-seven cemeteries in a county are not a "single source" - but apparently, if you do ALL of the cemeteries of a county in one volume, that becomes a "single source" again as "taking all of the information in a given universe." 5) Implications for the copyright of many works involving editorial skills, which the Copyright Office at present does not seem to be considering in relation to genealogical compilations, but which should also concern historians as well as genealogists. For example, what about editions of the complete correspondence of a historical figure? Is this "multiple source" because the letters are gathered from several archives, or "single source" because one man wrote them all? Jo White Linn in her position paper has emphasized the editorial skills necessary in the transcription of Colonial court records: "For example, is it John Brooks Taylor (a man with three names) or is it John Brooks, taylor (tailor?)?" She emphasizes that, "Spelling in ancient documents is phonetic and varies from page to page with the same clerk. Punctuation is a matter of whim and largely nonexistent. Often personal names are not capitalized but other nouns and adjectives may be. Ergo: the indexer is reaching educated decisions with each entry. Another example: the will of John Smith names his daughers Elizabeth Jane Mary Anne Dorothy Susan with no punctuation. Are there three daughters with double names, six with single names, or some with double names and some single? The indexer, armed with knowledge of that particular family and from an examination of other records of the period, reaches a conclusion prior to the compilation of the index to the transcription." 6) Has the Copyright Office consulted with the National Archives, the American Association of Archivists, etc. before choosing to categorize "genealogical compilations" with telephone directories and parts lists rather than with editions of historical sources? If not, why not? This is a very preliminary memorandum, compiled in less than a week. I am aware than when I go into Glebe House this morning, there is a note on my desk asking me to call the Copyright Office back, and I will do so. In the interval, however, we all need to be thinking about the implications of this matter. Thank you. cc: Jo White Linn, CG, Salisbury, NC Suzanne Murray, Editor, NGS Newsletter Barbara Clawson, Chairman, NGS/CIG Page Putnam Miller, Coordinating Committee for the Promotion of History Larry Tise, Executive Director, American Association for State and Local History Scharlott Blevins, President, Federation of Genealogical Societies, and all other presidents of the Genealogical Coordinating Committee participating and observing organizations Kip Sperry, NGS Regional Councilor, Salt Lake City President, Genealogical Publishing Company APPENDIX I. "Guide Letter" from the U.S. Copyright Office, GL-65A, 5/88. "GENEALOGIES UNCLEAR WHETHER COPYRIGHTABLE COMPILATION" The Copyright Office is undertaking a review of its policy and practices concerning fact-based compilations to determine under what circumstances registration is appropriate. Genealogical listings and transcriptions of public records are included in our review because they raise a number of copyright registration questions. The copyright law protects original works of authorship, including compilations. A "compilation" is defined in the law as: "... a work formed by the collection and assembling of preexisting materials or of data that are selected, coordinated, or arranged in such a way that the resulting work as a whole constitutes an original work of authorship." Ordinarily, a compilation must represent originality in the selection and/or arrangement of materials in order to be copyrightable. They key is that there must be some editorial judgment in the selection of information -- as compared to taking all of the information in a given universe, i.e., in a given topical source or relevant pool of information -- or some originality in the arrangement of that information beyond merely a standard or mechanical ordering such as an alphabetical, sequential, or chronological arrangement. Thus where the elements comprise the entire universe from which to select, and where the arrangement is strictly alphabetical, chronological or the like, no registration would appear to be in order. Public records taken from a single source which are merely transcribed and alphabetically or chronologically indexed do not meet the requirements of original selection or arrangement and are therefore not registrable. On the other hand, if several different sources are consulted and the information from several diverse sources is combined in such a way as to meet the definition of a copyrightable compilation contained in the copyright law, registration as an original compilation may be in order. It is not clear whether the selection and/or arrangement of entries in this work meet these requirements of original compilation authorship. If you believe the work contains copyrightable compilation authorship of the type described above, please explain how the work was created and on what basis you believe it is copyrightable. Specifically, you should comment on: 1) The criteria the compiler used in selecting these particular entries. 2) The size and nature of the universe from which these entries were selected. 3) Whether the compiler used judgment in selecting entries or whether all entries meeting the criteria were included. 4) Whether the particular arrangement of entries in this work represents copyrightable authorship, if it is not a mere mechanical ordering of the type described above. In your reply, please return the enclosed carbon .... ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ This originally appeared as messages on the National Genealogical ³ ³ Conference, and is provided in this form by The Source of Magic ³ ³ BBS, Ridgefield, CT., 06877, 203-431-4687, Opus 141/725, 2400 BPS ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ