1RM79¯# Lewis Carroll "Alice in Wonderland" ¢×åìì É§öå ïæôåî óååî á ãáô ÷éôèïõô á çòé ôèïõçèô Áìéãå» ¢âõô á çòéî ÷éôèïõô á ãáô¡ Éô§ó ôèå íïóô ãõòéïõó ôèéîç É åöåò óá÷ éî áìì íù ìéæå¡¢                                                                                                                                                                                                                                                                  2 Lewis Carroll "Phantasmagoria" Èå ôèïõçèô èå óá÷ á Âõææáìï              ¯Õðïî ôèå ãèéíîåù­ðéåã庠              Èå ìïïëåä áçáéáîä æïõîä éô ÷áó        ¯Èéó Óéóôåò§ó Èõóâáîä§ó Îéåãå®         ¢Õîìåóó ùïõ ìåáöå ôèéó èïõó嬢 èå óáé䬠 ¯É§ìì óåîä æïò ôèå ðïìéãå¡¢                                                                                                                                                                            3 Mark Twain "What Stumped the Bluejays" Á êáù èáóî§ô çïô áîù íïòå ðòéîãéðìå ôèáî á Ãïîçòåóóíáî® Á êáù ÷éìì ìé嬠á êáù   ÷éìì óôåá쬠á êáù ÷éìì äåãåéö嬠á êáù ÷éìì âåôòáù» áîä æïõò ôéíåó ïõô ïæ æéö嬠 á êáù ÷éìì çï âáãë ïî èéó óïìåíîåóô ðòïíéóå® Ôèå óáãòåäîåóó ïæ áî ïâìéçáôéïî éó á ôèéîç ÷èéãè ùïõ ãáî§ô ãòáí éîôï îï âìõåêáù§ó èåáä®                                                                                                            4 Mark Twain: "How I Edited an Agri- cultural Newspaper" Ôèå ðõíðëéî éó ôèå ïîìù åóãõìåîô ïæ ôèå ïòáîçå æáíéìù ôèáô ÷éìì ôèòéöå éî ôèå   Îïòô謠åøãåðô ôèå çïõòä áîä ïîå ïò ô÷ï öáòéåôéåó ïæ ôèå óñõáóè® Âõô ôèå ãõóôïí  ïæ ðìáîôéîç éô éî ôèå æòïîô ùáòä ÷éôè ôèå óèòõââåòù éó æáóô çïéîç ïõô ïæ öïçõå¬ æïò éô éó îï÷ çåîåòáììù ãïîãåäåä ôèáô ôèå ðõíðëéî áó á óèáäå ôòåå éó á æáéìõòå®                                                                                 5 Ralph Waldo Emerson Éô éó áî áíéáâìå éììõóéï÷èéãè ôèå óèáðå ïæ ïõò ðìáîåô ðòïíðôó¬ ôèáô åöåòù    íáî éó áô ôèå ôïð ïæ ôèå ÷ïòìä®                                                                                                                                                                                                                                                                                                 6 Anonymous Ôèåòå ÷áó áî ïìä èåî               ¯ Óèå èáä á ÷ïïäåî ìå笠                     Áîä åöåòù äáíîåä íïòîéîç           ¯ Óèå ìáéä áîïôèåò åçç»                      Óèå ÷áó ôèå âåóô äáíîåä ãèéãëåî    ¯ Ïî ôèå ÷èïìå äáíîåä æáòí¬                  Áîä áîïôèåò ìéôôìå äòéîë           ¯ ×ïõìäî§ô äï õó áîù èáòí¡                                                                                                   7 Samuel Johnson in Boswell's Life of Johnson Áìì ôèå áòçõíåîôó ÷èéãè áòå âòïõçèô ôï òåðòåóåîô ðïöåòôù áó îï åöéì óèï÷ éô ôï  âå åöéäåîôìù á çòåáô åöéì® Ùïõ îåöåò æéîä ðåïðìå ìáâïòéîç ôï ãïîöéîãå ùïõ ôèáô  ùïõ íáù ìéöå öåòù èáððéìù ÷éôè á ðìåîôéæõì æïòôõîå®                                                                                                                                                                                             8 Jonathan Swift "On the Mech. Operation of the Spirit" Ôèåòå áòå ôèå íåî ÷èï ðòåôåîä ôï õîäåòóôáîä á âïïë âù óãïõôéîç ôèòïõçè ôèå      éîäåø» áó éæ á ôòáöåììåò óèïõìä çï áâïõô ôï äåóãòéâå á ðáìáãå ÷èåî èå èáä óååî  îïôèéîç âõô ôèå ðòéöù®                                                                                                                                                                                                                          9 Jane Austen "Pride and Prejudice" Éô éó èáððù æïò ùïõ ôèáô ùïõ ðïóóåóó ôèå ôáìåîô ïæ æìáôôåòéîç ÷éôè äåìéãáãù®    Íáù É áóë ÷èåôèåò ôèåóå ðìåáóéîç áôôåîôéïîó ðòïãååä æòïí ôèå éíðõìóå ïæ ôèå     íïíåîô¬ ïò áòå ôèå òåóõìô ïæ ðòåöéïõó óôõäù¿                                                                                                                                                                                                    10 Sydney Smith "Sketches of Moral Philosophy" ×å óèáìì çåîåòáììù æéîä ôèáô ôèå ôòéáîçõìáò ðåòóïî èáó çïô éîôï ôèå óñõáòå      èïì嬠ôèå ïâìïîç éîôï ôèå ôòéáîçõìáò¬ áîä á óñõáòå ðåòóïî èáó óñõååúåä èéíóåìæ  éîôï ôèå òïõîä èïìå®                                                                                                                                                                                                                            11 John Dryden "Cymon and Iphigenia" Èå ôòõäçåä áìïîç õîëîï÷éîç ÷èáô èå óïõçèô¬                                      Áîä ÷èéóôìåä áó èå ÷åîô¬ æïò ÷áîô ïæ ôèïõçèô®                                                                                                                                                                                                                                                                                   12 Joseph Addison "The Spectator" Óéò Òïçåò ôïìä ôèåí¬ ÷éôè ôèå áéò ïæ á íáî ÷èï ÷ïõìä îïô çéöå èéó êõäçåíåîô     òáóèìù¬ ôèáô íõãè íéçèô âå óáéä ïî âïôè óéäåó®                                                                                                                                                                                                                                                                                  13 Mark Twain "Following the Equator" Ôèåòå éó á Íïòáì Óåîó嬠áîä ôèåòå éó áî Éííïòáì Óåîóå® Èéóôïòù óèï÷ó õó ôèáô    ôèå Íïòáì Óåîóå åîáâìåó õó ôï ðåòãåéöå íïòáìéôù áîä èï÷ ôï áöïéä éô¬ áîä ôèáô   ôèå Éííïòáì Óåîóå åîáâìåó õó ôï ðåòãåéöå éííïòáìéôù áîä èï÷ ôï åîêïù éô®                                                                                                                                                                        14 Mark Twain "Following the Equator" Óèå ÷áó îïô ñõéôå ÷èáô ùïõ ÷ïõìä ãáìì òåæéîåä® Óèå ÷áó îïô ñõéôå ÷èáô ùïõ ÷ïõìä ãáìì õîòåæéîåä® Óèå ÷áó ôèå ëéîä ïæ ðåòóïî ôèáô ëååðó á ðáòòïô®                                                                                                                                                                                                                                                                 15 Joseph Conrad "Heart of Darkness" Éî á æå÷ äáùó ôèå Åìäïòáäï Åøðåäéôéïî ÷åîô éîôï ôèå ðáôéåîô ÷éìäåòîåóó¬ ôèáô    ãìïóåä õðïî éô áó ôèå óåá ãìïóåó ïöåò á äéöåò® Ìïîç áæôåò÷áòäó ôèå îå÷ó ãáíå    ôèáô áìì ôèå äïîëåùó ÷åòå äåáä® É ëîï÷ îïôèéîç áó ôï ôèå æáôå ïæ ôèå ìåóó       öáìõáâìå áîéíáìó® Ôèåù¬ îï äïõâô¬ ìéëå ôèå òåóô ïæ õó¬ æïõîä ÷èáô ôèåù          äåóåòöåä®                                                                       16 Jonathan Swift "Gulliver's Travels" Ôèå ðáìáãå ïæ á ãèéåæ íéîéóôåò éó á óåíéîáòù ôï âòååä õð ïôèåòó éî èéó ï÷î      ôòáä庠ôèå ðáçåó¬ ìáãëåùó¬ áîä ðïòôåò¬ âù éíéôáôéîç ôèåéò íáóôåò¬ âåãïíå        íéîéóôåòó ïæ óôáôå éî ôèåéò óåöåòáì äéóôòéãôó¬ áîä ìåáòî ôï åøãåì éî ôèå ôèòåå  ðòéîãéðáì éîçòåäéåîôó¬ ïæ éîóïìåîã嬠ìùéî笠áîä âòéâåòù®                                                                                                        17 Jonathan Swift "The Examiner" Âõô áìôèïõçè ôèå Äåöéì âå ôèå æáôèåò ïæ ìéåó¬ èå óååíó¬ ìéëå ïôèåò çòåáô        éîöåîôïòó¬ ôï èáöå ìïóô íõãè ïæ èéó òåðõôáôéïâù ôèå ãïîôéîõáì éíðòïöåíåîôó   ôèáô èáöå âååî íáäå õðïî èéí®                                                                                                                                                                                                                   18 George Bernard Shaw "The Man of Destiny" Ôèåòå éó îïôèéîç óï âáä ïò óï çïïä ôèáô ùïõ ÷éìì îïô æéîä Åîçìéóèíåî äïéîç éô»  âõô ùïõ ÷éìì îåöåò æéîä áî Åîçìéóèíáî éî ôèå ÷òïîç® Èå äïåó åöåòùôèéîç ïî       ðòéîãéðìå® Èå æéçèôó ùïõ ïî ðáôòéïôéã ðòéîãéðìåó» èå òïâó ùïõ ïî âõóéîåóó       ðòéîãéðìåó» èå åîóìáöåó ùïõ ïî éíðåòéáì ðòéîãéðìåó®                                                                                                             19 Joseph Addison "The Spectator" Çïìä éó á ÷ïîäåòæõì ãìåáòåò ïæ ôèå õîäåòóôáîäéîç» éô äéóóéðáôåó åöåòù äïõâô áîä óãòõðìå éî áî éîóôáîô¬ áããïííïäáôåó éôóåìæ ôï ôèå íåáîåóô ãáðáãéôéåó¬ óéìåîãåó  ôèå ìïõä áîä ãìáíïòïõó¬ áîä âòéîçó ïöåò ôèå íïóô ïâóôéîáôå áîä éîæìåøéâìå®                                                                                                                                                                      20 Mark Twain "Pudd'nhead Wilson's Calendar" Ïãôïâåò® Ôèéó éó ïîå ïæ ôèå ðåãõìéáòìù äáîçåòïõó íïîôèó ôï óðåãõìáôå éî óôïãëó  éî® Ôèå ïôèåòó áòå Êõìù¬ Êáîõáòù¬ Óåðôåíâåò¬ Áðòé쬠Îïöåíâåò¬ Íáù¬ Íáòã謠Êõîå¬ Äåãåíâåò¬ Áõçõóô¬ áîä Æåâòõáòù®                                                                                                                                                                                                                 21 Samuel Johnson Íïîáòãèó áòå áì÷áùó óõòòïõîäåä ÷éôè òåæéîåä óðéòéôó¬ óï ðåîåôòáôéîç ôèáô ôèåù   æòåñõåîôìù äéóãïöåò éî ôèåéò íáóôåòó çòåáô ñõáìéôéåó¬ éîöéóéâìå ôï öõìçáò åùåó¬ áîä ÷èéã謠äéä ôèåù îïô ðõâìéóè ôèåí ôï íáîëéî䬠÷ïõìä âå õîïâóåòöåä æïò åöåò®                                                                                                                                                                  22 George Eliot "Felix Holt" Óðååãè éó ïæôåî âáòòåî» âõô óéìåîãå áìóï äïåó îïô îåãåóóáòéìù âòïïä ïöåò á æõìì îåóô® Ùïõò óôéìì æï÷쬠âìéîëéîç áô ùïõ ÷éôèïõô òåíáò묠íáù áìì ôèå ÷èéìå âå     óéôôéîç ïî ïîå áääìåä åçç» áîä ÷èåî éô ôáëåó ôï ãáãëìéîç ÷éìì èáöå îïôèéîç ôï   áîîïõîãå âõô ôèáô áääìåä äåìõóéïî®                                                                                                                              23 Mark Twain "Roughing It" É ôèïõçèô ôáíáòéîäó ÷åòå íáäå ôï åáô¬ âõô ôèáô ÷áó ðòïâáâìù îïô ôèå éäåá® É áôå óåöåòá쬠áîä éô óååíåä ôï íå ôèáô ôèåù ÷åòå òáôèåò óïõò ôèáô ùåáò® Ôèåù ðõòóåä  õð íù ìéðó ôéìì ôèåù òåóåíâìåä ôèå óôåí åîä ïæ á ôïíáôﬠáîä É èáä ôï ôáëå íù   óõóôåîáîãå ôèòïõçè á ñõéìì æïò ô÷åîôù­æïõò èïõòó®                                                                                                               24 Arthur Conan Doyle "The Adventure of the Dancing Men" É áí æáéòìù æáíéìéáò ÷éôè áìì æïòíó ïæ óåãòåô ÷òéôéîçó¬ áîä áí íùóåìæ ôèå       áõôèïò ïæ á ôòéæìéîç íïîïçòáðè ïî ôèå óõâêåãô¬ éî ÷èéãè É áîáìùóå ïîå èõîäòåä   áîä óéøôù óåðáòáôå ãéðèåòó» âõô É ãïîæåóó ôèáô ôèéó éó åîôéòåìù îå÷ ôï íå®                                                                                                                                                                      25 Arthur Conan Doyle "The Adventure of the Dancing Men" Ôèåóå èéåòïçìùðèéãó èáöå åöéäåîôìù á íåáîéîç® Éæ éô éó á ðõòåìù áòâéôòáòù ïî嬠 éô íáù âå éíðïóóéâìå æïò õó ôï óïìöå éô® É欠ïî ôèå ïôèåò èáî䬠éô éó           óùóôåíáôé㬠ɠèáöå îï äïõâô ôèáô ÷å óèáìì çåô ôï ôèå âïôôïí ïæ éô®                                                                                                                                                                              26 Saki "The Unbearable Bassington" ¢×å íõóô îïô çòõäçå ôèåí ôèåéò óèï÷ ïæ ðòåóåîôó áæôåò ôèåéò ô÷åîôù­æéöå ùåáòó   ïæ íáòòéåä ìéæ嬢 óáéä Ìáäù Ãáòïìéîå çåîôìù» ¢éô éó ôèå óéìöåò ìéîéîç ôï ôèåéò  ãìïõ䮢                                                                                                                                                                                                                                         27 Saki "Reginald on Worries" É ôèéîë óèå íõóô èáöå âååî öåòù óôòéãôìù âòïõçèô õð¬ óèå§ó óï äåóðåòáôåìù       áîøéïõó ôï äï ôèå ÷òïîç ôèéîç ãïòòåãôìù® Îïô ôèáô éô òåáììù íáôôåòó îï÷áäáùó¬   áó É ôïìä èåòº É ëîï÷ óïíå ðåòæåãôìù öéòôõïõó ðåïðìå ÷èï áòå òåãåéöåä           åöåòù÷èåòå®                                                                                                                                                     28 Saki "The Unbearable Bassington" ×å áìì ëîï÷ ôèáô Ðòéíå Íéîéóôåòó áòå ÷åääåä ôï ôèå ôòõô謠âõô ìéëå ïôèåò ÷åääåä ãïõðìåó¬ ôèåù óïíåôéíåó ìéöå áðáòô®                                                                                                                                                                                                                                                                                             29 Saki "Reginald's Choir Treat" Áîä ìéëå åöåòù ÷ïíáî ÷èï èáó åöåò ðòåáãèåä òåðåîôáîãå ôï õîòåçåîåòáôå ùïõô謠   óèå ä÷åìô ïî ôèå óéî ïæ áî åíðôù ìéæ嬠÷èéãè áì÷áùó óååíó óï íõãè íïòå          óãáîäáìïõó éî ôèå ãïõîôòù¬ ÷èåòå ðåïðìå òéóå åáòìù ôï óåå éæ á îå÷ óôòá÷âåòòù   èáó èáððåîåä äõòéîç ôèå îéçèô®                                                                                                                                  30 Oscar Wilde "The Picture of Dorian Gray" Ùïõîç ðåïðì嬠îï÷áäáùó¬ éíáçéîå ôèáô íïîåù éó åöåòùôèéî笠áîä ÷èåî ôèåù çòï÷    ïìäåò¬ ôèåù ëîï÷ éô®                                                                                                                                                                                                                                                                                                            31 Charles Dudley Warner "My Summer in a Garden" ×èáô á íáî îååäó éî çáòäåîéîç éó á ãáóô éòïî âáãë ÷éôè á èéîçå éî éô®                                                                                                                                                                                                                                                                                                                                           32 Adam Smith "The Wealth of Nations" Áäöåîôõòå õðïî áìì ôèå ôéãëåôó éî ôèå ìïôôåòù¬ áîä ùïõ ìïóå æïò ãåòôáéî» áîä    ôèå çòåáôåò îõíâåò ïæ ùïõò ôéãëåôó ôèå îåáòåò ùïõ áððòïáãè ôï ôèéó ãåòôáéîôù®   Áäáí Óíéôè®                                                                                                                                                                                                                                     33 John Stuart Mill "On Liberty" Èõíáî îáôõòå éó îïô á íáãèéîå ôï âå âõéìô áæôåò á íïäå쬠áîä óåô ôï äï åøáãôìù  ôèå ÷ïòë ðòåóãòéâåä æïò éô¬ âõô á ôòå嬠÷èéãè òåñõéòåó ôï çòï÷ áîä äåöåìïð      éôóåìæ ïî áìì óéäåó¬ áããïòäéîç ôï ôèå ôåîäåîãù ïæ ôèå éî÷áòä æïòãåó ÷èéãè íáëå  éô á ìéöéîç ôèéîç®                                                                                                                                              34 Denis Diderot ×áôãè ïõô æïò ôèå æåììï÷ ÷èï ôáìëó áâïõô ðõôôéîç ôèéîçó éî ïòäåò¡ Ðõôôéîç       ôèéîçó éî ïòäåò áì÷áùó íåáîó çåôôéîç ïôèåò ðåïðìå õîäåò ùïõò ãïîôòïì®                                                                                                                                                                                                                                                           35 Rudyard Kipling "Plain Tales from the Hills" Éæ ùïõ èéô á ðïîù ïöåò ôèå îïóå áô ôèå ïõôóåô ïæ ùïõò áãñõáéîôáîã嬠èå íáù îïô  ìïöå ùïõ¬ âõô èå ÷éìì ôáëå á äååð éîôåòåóô éî ùïõò íïöåíåîôó åöåò áæôåò÷áòäó®                                                                                                                                                                                                                                                   36 Reverend C. C. Colton Á èáòíìåóó èéìáòéôù¬ áîä á âõïùáîô ãèååòæõìîåóó áòå îïô éîæòåñõåîô ãïîãïíéôáîôó ïæ çåîéõó» áîä ÷å áòå îåöåò íïòå äåãåéöå䬠ôèáî ÷èåî ÷å íéóôáëå çòáöéôù æïò     çòåáôîåóó¬ óïìåíîéôù æïò óãéåîã嬠áîä ðïíðïóéôù æïò åòõäéôéïî®                                                                                                                                                                                  37 Samuel Johnson "The Idler" Åöåòù íáî óðåáëó áîä ÷òéôåó ÷éôè éîôåîô ôï âå õîäåòóôïïä» áîä éô ãáî óåìäïí     èáððåî âõô èå ôèáô õîäåòóôáîäó èéíóåìæ íéçèô ãïîöåù èéó îïôéïîó ôï áîïôèåò¬ éæ¬ ãïîôåîô ôï âå õîäåòóôïï䬠èå äéä îïô óååë ôï âå áäíéòåä®                                                                                                                                                                                        38 Ralph Waldo Emerson "Journals" Ðåïðìå ÷èï ÷áóè íõãè èáöå á èéçè íéîä áâïõô éô¬ áîä ôáìë äï÷î ôï ôèïóå ÷èï ÷áóè ìéôôìå®                                                                                                                                                                                                                                                                                                                         39 Samuel Taylor Coleridge "Table Talk" Ôòõôè éó á çïïä äïç» âõô âå÷áòå ïæ âáòëéîç ôïï ãìïóå ôï ôèå èååìó ïæ áî åòòïò¬  ìåóô ùïõ çåô ùïõò âòáéîó ëéãëåä ïõô®                                                                                                                                                                                                                                                                                            40 Charles Dudley Warner "My Summer in a Garden" Èáððù éó óáéä ôï âå ôèå æáíéìù ÷èéãè ãáî åáô ïîéïîó ôïçåôèåò® Ôèåù áò嬠æïò ôèå ôéíå âåéî笠óåðáòáôå æòïí ôèå ÷ïòì䬠áîä èáöå á èáòíïîù ïæ áóðéòáôéïî®                                                                                                                                                                                                                                                          41 Samuel Johnson, from Boswell's ...Tour of the Hebrides... Á ãõãõíâåò óèïõìä âå ÷åìì óìéãå䬠áîä äòåóóåä ÷éôè ðåððåò áîä öéîåçáò¬ áîä ôèåî ôèòï÷î ïõô áó çïïä æïò îïôèéîç®                                                                                                                                                                                                                                                                                                 42 Mark Twain A Connecticut Yankee in ... ×èåîåöåò ôèå ìéôåòáòù Çåòíáî äéöåó éîôï á óåîôåîã嬠ôèáô éó ôèå ìáóô ùïõ áòå    çïéîç ôï óåå ïæ èéí ôéìì èå åíåòçåó ïî ôèå ïôèåò óéäå ïæ èéó Áôìáîôéã ÷éôè èéó  öåòâ éî èéó íïõôè®                                                                                                                                                                                                                              43 George Bernard Shaw "Caesar and Cleopatra" ×èåî á óôõðéä íáî éó äïéîç óïíåôèéîç èå éó áóèáíåä ï欠èå áì÷áùó äåãìáòåó ôèáô  éô éó èéó äõôù®                                                                                                                                                                                                                                                                                                                 44 Benjamin Disraeli "Lothair" ×èåî á íáî æåìì éîôï èéó áîåãäïôáçå éô ÷áó á óéçî æïò èéí ôï òåôéòå æòïí ôèå    ÷ïòìä®  Äéóòáåìé                                                                                                                                                                                                                                                                                                                45 Abraham Lincoln ×èåî ùïõ èáöå çïô áî åìåðèáîô âù ôèå èéîä ìåçó áîä èå éó ôòùéîç ôï òõî á÷áù¬    éô§ó âåóô ôï ìåô èéí òõî®                                                                                                                                                                                                                                                                                                       46 Thoreau "Walden" Áîù ôòõôè éó âåôôåò ôèáî íáëå­âåìéåöå® Ôïí Èùä嬠ôèå ôéîëåò¬ óôáîäéîç ïî ôèå    çáììï÷ó¬ ÷áó áóëåä éæ èå èáä áîùôèéîç ôï óáù® ¢Ôåìì ôèå ôáéìïò󬢠óáéä è嬠¢ôï  òåíåíâåò ôï íáëå á ëîïô éî ôèåéò ôèòåáä âåæïòå ôèåù íáëå ôèå æéòóô óôéôã订 Èéó ãïíðáîéïî§ó ðòáùåò éó æïòçïôôåî®                                                                                                                                47 Thoreau: "A Week on the Concord and Merrimac Rivers" Çáòäåîéîç éó ãéöéì áîä óïãéá쬠âõô éô ÷áîôó ôèå öéçïò áîä æòååäïí ïæ ôèå æïòåóô áîä ôèå ïõôìá÷® Ôèåòå íáù âå áî åøãåóó ïæ ãõìôéöáôéïî áó ÷åìì áó ïæ áîùôèéîç    åìó嬠õîôéì ãéöéìéúáôéïî âåãïíåó ðáôèåôéã®                                                                                                                                                                                                      48 Thoreau "Walden" ×èù ìåöåì äï÷î÷áòä ôï ïõò äõììåóô ðåòãåðôéïî áì÷áùó¬ áîä ðòáéóå ôèáô áó ãïííïî  óåîóå¿ Ôèå ãïííïîåóô óåîóå éó ôèå óåîóå ïæ íåî áóìååð¬ ÷èéãè ôèåù åøðòåóó âù    óîïòéîç®                                                                                                                                                                                                                                        49 Samuel Johnson "The Idler"    Áíïîçôèåãáìáíéôéåóïæ÷áòíáùâåêõóôìùîõíâåòåäôèåäéíéîõôéïîïæôèåìïöåïæôòõôèâùô      èåæáìóåèïïäó÷èéãèéîôåòåóôäéãôáôåóáîäãòåäõìéôùåîãïõòáçåó®Áðåáãå÷éììåñõáììùì      åáöåôèå÷áòòéïòáîäòåìáôåòïæ÷áòóäåóôéôõôåïæåíðìïùíåîô»áîäÉëîï÷îïô÷èåôèåòíïòå      éóôïâåäòåáäåäæòïíóôòååôóæéììåä÷éôèóïìäéåòóáããõóôïíåäôïðìõîäåò¬ïòæòïíçáòòåô      óæéììåä÷éôèóãòéââìåòóáããõóôïíåäôïìéå®ÓáíõåìÊïèîóïîºÔèåÉäìåò                  50 Samuel Johnson "The Idler"    Èå÷éììïîìùðìåáóåìïîç÷èï¬âùôåíðåòéîçôèåáãéäéôùïæóáôéòå÷éôèôèåóõçáòïæãéöéìéô      ùáîäáììáùéîçôèåèåáôïæ÷éô÷éôèôèåæòéçéäéôùïæèõíâìåãèáô¬ãáîíáëåôèåôòõåðõîãèïæ      ãïîöåòóáôéïî»áîä¬áóôèáôðõîãèãáîâåäòõîëéîôèåçòåáôåóôñõáîôéôù÷èéãèèáóôèåìáòç      åóôðòïðïòôéïîïæ÷áôåò¬óïôèáôãïíðáîéïî÷éììâåïæôåîåóô÷åìãïíå÷èïóåôáìëæìï÷óïõô      ÷éôèéîïææåîóéöåãïðéïõóîåóóáîäõîåîöéåäéîóéðéäéôù®