FORUM: Private E-Mail HOST: LEADING DATE: Feb-15-95 4:21am MSG: 245 PVT FROM: Digestifier TO: Dbn SUBJECT: Phish Digest #604 úÿ(Continued from last message) From: "Kiersten N. Ahlm" Subject: re: M.ray Reply-To: kahlm@moose.uvm.edu Date: Wed, 15 Feb 1995 01:53:34 GMT The Michael ray show probably was the best show I have ever seen as well. Everything about the night was insane, from the extravagant entrance to the incredible jams they didn't make you stop moving till they wanted you to stop. This show was a little more intense than the Johnson State show, although that one blew me away as well. I feel pretty amazed to have been able to see this show, and the smile is still not gone from my face. Thanks guys!!! bri. ------------------------------ From: David Leonard Goss Subject: bear trap road Reply-To: gossdavi@student.msu.edu Date: Wed, 15 Feb 1995 01:54:08 GMT Does anyone know where or what Bear Trap Road is? It's in Utah. Phish played there in '88 at something called Fishfest. Is Bear Trap Road some park (or just some road) and is Fishfest just a big festival for fisherman or what? Because on the tape I have - it sounds like there's almost no one in the audience. Poop ------------------------------ From: Kurt Subject: Union Federal *TRUTH* Reply-To: KRAE3757@splava.cc.plattsburgh.edu Date: Wed, 15 Feb 1995 02:00:03 GMT Alright, looks like it's time to clear this up again: Union Federal *was* recorded live, however was NOT done at Nectar's, or any other bar in Burlington. It was done in a small room with only one mic hanging from the ceiling (don't ask me how it's in sterio on the album, I quess that's the magic of mixing) + the door locked. Phish would (+ still does) practice this way, starting with a simple chord progression + developing it into space without anyone soloing. This causes the members of phish to closly listen to each other for slight canges in what each individual plays. The other members then play the newly created "song". Their goal (I believe) is to become so good at this that they can improvise seemingly as ONE. These sessions have been called Oh Ke Pa Ceremonies. As for a bong, well, this stuff should not be talked about on the net. What difference does it make anyway? Kurt Kraemer 50 Broad St. Apt. D Plattsburgh, NY 12901 krae3757@splava.cc.plattsburgh.edu (518)566-7529 ------------------------------ From: mg4578@albnyvms.bitnet (gone phishin') Subject: Kramer's Red Rocks Offer Date: 14 Feb 1995 20:34:05 GMT Reply-To: mg4578@albnyvms.bitnet I have a 2nd gen. analog copy of Red ROcks 6-11-94, and am willing to make 10 copies...open to the first 10 people who e-mail me.... Mark ------------------------------ From: dsulliva@cis.ohio-state.edu (david andrew sullivan) Subject: Re: Pulp fiction oddities Date: 14 Feb 1995 11:14:34 -0500 I've been reading alot of these pulp fiction posts on the net and I think that alot of the inconsistancies in the movie were put there on purpose, i.e the bullet holes in the wall, Wolfe being called at 8:30 at a party, the scene where the watch is given to the boy (according to the watch about 5 hours passed while he was talking to the boy), etc, etc. Anyway, if you know anything about Pulp fiction, not the movie but the actual books themselves, they are notorious for bad editing, after all they were the equivalent of trash novels that only cost pennies to buy. Thats why the movie jumps around so much betweenscenes which sometmes leaves you wondering what sequence the different parts of the story were happining in. The same thing would happen if you were to read a pulp fiction novel. So I think all these inconsistencies in the film are there to kind of make fun of "Pulp Fiction" novels. .. Tarrantino is a genius!!!! -Sully p.s sorry to waste bandwidth ------------------------------ ** FOR YOUR REFERENCE ** Requests to be added to or deleted from the Phish mailing list and requests for old digests to be resent (please provide digest #s) must be sent to phish-request@phish.net. Questions about the list and requests for the current version of the Frequently Asked Questions file, Phish Stories, the Helping Phriendly Book, or the lyrics file must be sent to phish-archives@phish.net. You may send mail to the entire list (and rec.music.phish) via phish@phish.net. End of Phish Digest ****************************** Dates file from phish-archives or call the Phish Hotline (617-862-7820) for the lates -- END OF MESSAGE --